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Author:   Mimi Mitchell (Senior Lecturer, Senior Lecturer, Conservatorium van Amsterdam)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 15.00cm , Height: 1.80cm , Length: 22.60cm
Weight:   0.590kg
ISBN:  

9780197683071

ISBN 10:   019768307
Pages:   344
Publication Date:   04 November 2024
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Forthcoming
Availability:   To order  

Table of Contents

Foreword: Polarization, Reintegration, and Diversity Sir Nicholas Kenyon 1. Introduction Mimi Mitchell Part I: Methodological Viewpoints 2. Early Music: Views from Ethnomusicology Caroline Bithell 3. Renewing Historical Performance through an Embodiment of Historical Acting Techniques Jed Wentz 4. Historical Interpretation Research-New Sources and Methodologies Kai Köpp Part II: (Non) Historical Instruments 5. Making (Faking?) Early Music Jeremy Montagu 6. Plastic Fantastic? Fiona Brock, Andrew Hughes, and Jeremy Uden 7. Modern Versus Historical Instruments: International Bach Competition Leipzig Mimi Mitchell Part III: Pedagogical Perspectives 8. Professionalizing Historical Performance: The Past and Present of Early Music Education in Am-sterdam Kailan Rubinoff 9. ""HIP for All"" or Specialized Training: Diverse Missions for Early Music in Higher Education Kelly Landerkin and Claire Michon 10. Nows, Thens, and Truths: Attending to the Present in Performing the Past Jonathan Impett 11. Towards a More Inclusive Early Music Deanna Pellerano Part IV: Transformative Technologies 12. Early Music and the Paradox of Technology Alon Schab 13. ""Nutrition in an Age of Diet Soft Drinks"": the Utopa Baroque Organ in Amsterdam Hans Fidom 14. Developing Virtual Acoustic Systems for Use in Early Music Research Eoin Callery and Jonathan Abel Part V: Revisiting History 15. The New Dutch Recorder Sound of the 1960s Robert Ehrlich 16. Early Music in the Latin Americas: An Alternative Scene Melodie Michel 17. Remixes and Radical Revivals: Baroque Opera Production and the Opera Wars Caitlin Vincent Index

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Author Information

Mimi Mitchell enjoys a dual career as a musicologist and a historical violinist. She was co-curator of the symposium The Historical Violin (STIMU, Utrecht Early Music Festival, 2019) and curated the conference Early Music in the 21st Century (Conservatorium van Amsterdam, 2021). She contributed a chapter to the Kunsthistorisches Museum Vienna's The Collection of Historic Musical Instruments: The First 100 Years (2018) and presented a series of lectures and articles for the ""Revival"" Utrecht Early Music Festival (2023). She is a Masters Research Coordinator and Senior Lecturer at the Conservatorium van Amsterdam and works internationally as a speaker, teacher, violinist/conductor, and coach.

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