Early Modernism: Literature, Music, and Painting in Europe 1900-1916

Author:   Butler
Publisher:   Oxford University Press
ISBN:  

9780198182528


Pages:   344
Publication Date:   28 April 1994
Format:   Paperback
Availability:   To order   Availability explained
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Early Modernism: Literature, Music, and Painting in Europe 1900-1916


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Full Product Details

Author:   Butler
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 15.50cm , Height: 2.50cm , Length: 23.40cm
Weight:   0.537kg
ISBN:  

9780198182528


ISBN 10:   019818252
Pages:   344
Publication Date:   28 April 1994
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Introduction. I. The Dynamics of Change: 1) Scepticism and Confrontation 2) The Withdrawal from Consensual Languages 3) Technique and Idea. II. The Development of a Modernist Aesthetic: New Languages for Painting and Music: 1) Matisse and Expression 2) Kandinsky and Abstraction 3) Schoenberg and Atonality 4) Braque, Picasso and Cubism 5) Language and Innovation. III. The Modernist Self: 1) Internal Divisions: Conrad, Nietzsche, Freud, Mann, Joyce, and Eliot 2) Subjectivity and Primitivism: The Demoiselles d'Avignon, Erwartung, and the Rite of spring. IV. The City: 1) The Individual and the Collective 2) The Futurists 3) Paris: the Poet in the City 4) Beyond the Stream of Consciousness: Simultaneism, Collage, and Parole in liberta 5) Berlin. V. London and the Reception of Modernist Ideas 1) From Hulme to Imagism 2) Post Impressionism 3) Futurism 4) Abstraction, Classicism, and Vorticism. VI. Aspects of the Avant-Garde 1) Diffusion and Adaptation 2) Progress and the Avant-Garde 3) Irrationalism and the Social 4) A Political Conclusion?. Notes; Index.

Reviews

<br> A refreshingly generous and generally sensitive account of the early influences on, and the development of, the Modernist movement.... Deserves a wide and attentive readership. --Times Higher Education Supplement<br> [Butler's] book is valuable and generous, seeing philosophy as an underpinning or a guide, rather than a goal. --Review of English Studies<br> It is an excellent guide for both staff and students engaged in 'Modernism' courses--and a useful corrective for those who think they understand what artistic modernism was from books on 'Postmodernism'....Generously illustrated--especially so if the paperback price...is borne in mind: no university library should be without it....It is a measure of Christopher Butler's critical balance that he gives Lewis the painter...an important place in the British contribution to European modernism. Anyone interested in either modernism or the postmodern should read it. --Wyndham Lewis Annual<br>


'This new book offers a deeper analysis of how changes in artistic technique relate to shifts in thought.' Frances Spalding, Sunday Times 'an outstandingly readable survey of writing, painting and music in Europe' Michael Horovitz, New Statesman & Society `a refreshingly generous and generally sensitive account of the early influences on, and the development of, the Modernist movement. ... a serious book which deserves a wide and attentive readership.' Times Higher Education Supplement `an excellent guide for both staff and students engaged in Modernism courses ... no university library should be without it.' Wyndham Lewis Annual ... an invaluable companion to early 20th-century European history and essential reading for students of modernism and the debates of post-modernism.' Art Book Review Quarterly '... Butler's elegant exposition is a good place to start.' BBC Music Magazine. Oct 94 `a learned, readable and wonderfully informative study of the origins, over 80 years ago,of the avant-garde culture that is now a social institution.' The Tablet, Books of the Year `a refreshingly generous and generally sensitive account of the early influences on, and the development of, the Modernist movement.' Times Higher Education Supplement `'it is an excellent guide for both staff and students engaged in Modernism courses - and a useful corrective for those who think they understand what artistic modernism was ...generously illustrated - especially so if the paperback price ... is borne in mind: no university library should be without it ... It is a measure of Christopher Butler's critical balance that he gives Lewis the painter ... an important place in the British contribution to European modernism. Anyone interested in either modernism or the postmodern should read it.' Dennis Brown, Wyndham Lewis Annual' Notes December 1995 `This is a much-needed book...It is to Christopher Butler's credit that he is admirably cautious in his respect for the dangers and limits of analogy-tracing when it comes to certain surface thematic and technical similarities...Quite understandably for a study of this length, coverage is extremely selective, but judiciously so.' Comparative Criticisms 18 `This book is just the sort of text to place in the hands of an advanced undergraduate, graduate student, or interested reader embarking on a study of modernism. Accurate and up-to-date, this study offers a comprehensive picture of the modernist impulse in its shared expression and techniques in various media...Butler has produced a text that serves as almost above reproach.' Notes `Christopher Butler aims for a very precisely denoted historical concentration but a wide-ranging interdisciplinary sweep...His strength is in the commanding sweep of his gaze...his book is valuable and generous, seeing philosophy as an underpinning or a guide, rather than a goal.' RES New Series XLVII 185 `Butler has written a book that is a useful contribution to the history of early modernism insightfully drawing out many of its complexities and contradictions, a book which will help to invigorate debates about modernism and its many histories.' Jon Kear, The Oxford Art Journal - 19:2, 1996


A refreshingly generous and generally sensitive account of the early influences on, and the development of, the Modernist movement.... Deserves a wide and attentive readership. --Times Higher Education Supplement<br> [Butler's] book is valuable and generous, seeing philosophy as an underpinning or a guide, rather than a goal. --Review of English Studies<br> It is an excellent guide for both staff and students engaged in 'Modernism' courses--and a useful corrective for those who think they understand what artistic modernism was from books on 'Postmodernism'....Generously illustrated--especially so if the paperback price...is borne in mind: no university library should be without it....It is a measure of Christopher Butler's critical balance that he gives Lewis the painter...an important place in the British contribution to European modernism. Anyone interested in either modernism or the postmodern should read it. --Wyndham Lewis Annual<br>


Author Information

Christopher Butler is Tutor in English Literature and Curator of Pictures, Christ Church, Oxford. He is the author of Interpretation, Deconstruction, and Ideology (Clarendon Paperback, 1984) and of After the Wake: An Essay on the Contemporary Avant-Garde (Clarendon Press, 1980).

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