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OverviewThis comprehensive and cross-cultural study examines three-dimensional structural replicas of the Santa Casa, or Holy House of the Virgin Mary, and related circulating visual and textual media. Interdisciplinary in its design, the project engages with a broad spectrum of cultures and lay strata, redirecting early modern studies to prioritize anonymously produced Catholic cult objects and devotional memorabilia, disseminated largely between the fifteenth through early nineteenth centuries. By tracing the formation and evolution of Loretan iconography and cult space in two and three dimensions, this publication illuminates the spread of the popular structure as a sculptural cult object and its worship via replication. By combining art historical questions of materiality and form with broader anthropological and social history concerns regarding information production, dissemination, and reception, this book reveals how early modern Catholics capitalized on cult replicas. This book will be of interest to scholars working in art history, architectural history, religious history, and early modern studies. Full Product DetailsAuthor: Erin Giffin (Hamilton College, USA.)Publisher: Taylor & Francis Ltd Imprint: Routledge ISBN: 9781032662503ISBN 10: 1032662506 Pages: 272 Publication Date: 22 June 2026 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Forthcoming Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsIntroduction 1. Competing Foundations 2. Print as a Means of Flight 3. Devotion through Degradation 4. One in the Same 5. Mater Ecclesiae ConclusionReviewsAuthor InformationErin Giffin is Visiting Assistant Professor at Hamilton College, USA. Tab Content 6Author Website:Countries AvailableAll regions |
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