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9781409400653

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Prize: Winner of the SECAC Award for Excellence in Scholarly Research, 2012 'Snyder's investigation of the sudden profusion of French gothic column figures in the decades of the 1130s-70s is a tour-de-force study of the design and meaning of these enigmatically complex sculpted portal programs. By concentrating on the column figures' appearance, notably their garments, and placing them within a well-supported social and political context, she provides us with an important new means by which to comprehend not only their significance as bearers of meaning, but also their stylistic development. The interdisciplinary nature of this book will without doubt be of interest to a broad audience of medievalists, among them students and scholars of gothic sculpture, medieval clothing and textiles, and medieval commerce, trade and politics.' Vibeke Olson, University of North Carolina-Wilmington, USA '... Snyder's study is a worthy contribution to the literature on the Gothic column-figure. The author's expertise in costume design and history provides the reader with a wealth of information on medieval dress of the period. More importantly, Snyder forces us to reconsider the meaning and function of these figures. Through this analysis the column-figures and the portals they inhabit become localized, embedded in the life of their particular time and place, rather than generalized and abstracted diagrams of theology. For this Snyder's study deserves commendation.' Speculum

Prize: Winner of the SECAC Award for Excellence in Scholarly Research, 2012 'Snyder's investigation of the sudden profusion of French gothic column figures in the decades of the 1130s-70s is a tour-de-force study of the design and meaning of these enigmatically complex sculpted portal programs. By concentrating on the column figures' appearance, notably their garments, and placing them within a well-supported social and political context, she provides us with an important new means by which to comprehend not only their significance as bearers of meaning, but also their stylistic development. The interdisciplinary nature of this book will without doubt be of interest to a broad audience of medievalists, among them students and scholars of gothic sculpture, medieval clothing and textiles, and medieval commerce, trade and politics.' Vibeke Olson, University of North Carolina-Wilmington, USA '... Snyder's study is a worthy contribution to the literature on the Gothic column-figure. The author's expertise in costume design and history provides the reader with a wealth of information on medieval dress of the period. More importantly, Snyder forces us to reconsider the meaning and function of these figures. Through this analysis the column-figures and the portals they inhabit become localized, embedded in the life of their particular time and place, rather than generalized and abstracted diagrams of theology. For this Snyder's study deserves commendation.' Speculum

Prize: Winner of the SECAC Award for Excellence in Scholarly Research, 2012 'Snyder’s investigation of the sudden profusion of French gothic column figures in the decades of the 1130s-70s is a tour-de-force study of the design and meaning of these enigmatically complex sculpted portal programs. By concentrating on the column figures’ appearance, notably their garments, and placing them within a well-supported social and political context, she provides us with an important new means by which to comprehend not only their significance as bearers of meaning, but also their stylistic development. The interdisciplinary nature of this book will without doubt be of interest to a broad audience of medievalists, among them students and scholars of gothic sculpture, medieval clothing and textiles, and medieval commerce, trade and politics.' Vibeke Olson, University of North Carolina-Wilmington, USA '... Snyder’s study is a worthy contribution to the literature on the Gothic column-figure. The author’s expertise in costume design and history provides the reader with a wealth of information on medieval dress of the period. More importantly, Snyder forces us to reconsider the meaning and function of these figures. Through this analysis the column-figures and the portals they inhabit become localized, embedded in the life of their particular time and place, rather than generalized and abstracted diagrams of theology. For this Snyder’s study deserves commendation.' Speculum

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Professor of Art History at West Virginia University, Janet Snyder's research addresses medieval limestone sculpture and architecture, and representations of clothing, textiles, and of the human form.

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