DSLR Cinema: A beginner’s guide to filmmaking on a budget

Author:   Kurt Lancaster (Digital filmmaker, Multimedia producer, Northern Arizona University, USA)
Publisher:   Taylor & Francis Ltd
Edition:   3rd edition
ISBN:  

9780415793544


Pages:   278
Publication Date:   09 February 2018
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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DSLR Cinema: A beginner’s guide to filmmaking on a budget


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Author:   Kurt Lancaster (Digital filmmaker, Multimedia producer, Northern Arizona University, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   3rd edition
Weight:   0.668kg
ISBN:  

9780415793544


ISBN 10:   0415793548
Pages:   278
Publication Date:   09 February 2018
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Foreword by Shane Hurlburt, ASC Acknowledgements About the Website Introduction – The Rise and Fall of the DSLR Cinema Revolution Chapter 1 – Composition, Lenses, Blocking, and Camera Movement Chapter 2 – Lighting Chapter 3 – Exposure Chapter 4 – Recording Quality Audio Chapter 5 – Postproduction Workflow Chapter 6 – Telling Better Stories Chapter 7 – Cinematic Gear on a Budget Chapter 8 – David Tembleque: Blackmagic’s Pocket Cinema Camera in Dear Tom Chapter 9 – Joe Simon: Canon’s C100 Mark II in Fragments by Dana Beasley Chapter 10 – Philip Bloom: Canon’s 7D in A Day at the Races Chapter 11 – Kiril Kirkov: Documentary Intimacy with the Canon 5D Mark III in Art of the People Chapter 12 – Po Chan and Shane Hurlbut: Canon’s 5D Mark II in The Last 3 Minutes Chapter 13 – J. Van Auken: Filming Action with Panasonic’s GH5 in Unmasked Chapter 14 – Mari Cleven: Filmming Documentaries on the Canon C100 Mark II Chapter 15 – Bibbi Abruzzini: Filmming Documentaries on the Canon 5D Mark IV Conclusion Index

Reviews

A huge thank you to Kurt Lancaster for giving a voice to DSLRs in this new trail-blazing book. -Shane Hurlbut, ASC, DP of Terminator Salvation This book should be in every camera bag. A rich, comprehensive, and poetic examination of how filmmakers and cinematographers are creating stunning moving imagery. -Rodney Charters, ASC, DP of the TV series 24 Kurt has written a masterpiece in DSLR books-something that everyone starting to make a movie should read. -planetMitch (planet5D.com) Out of nowhere, two DSLR cameras came out, and over a period of 18 months, they have been embraced by everyone from Lucasfilm to keen enthusiasts. This is easily the most exciting time I have experienced in my 20 or so years in the business. -Philip Bloom, DP, director, filmmaker (philipbloom.net)


Author Information

Kurt Lancaster, who earned a PhD from New York University, has written several books on filmmaking. His documentaries have screened at national and international film festivals. He teaches filmmaking at Northern Arizona University. His filmmaking clients list includes the Grand Canyon National Park; Timpanogos Caves National Monument for the National Park Service; the American Community School in Amman, Jordan; Ha:san Preparatory and Leadership School in Tucson, Arizona for the National Institute of Health; Altez Ecofarm at Hasta Gard in Stockholm, Sweden; The Law of the Desert Born graphic novel promo for Louis L’Amour Enterprises, Inc; and the Institute of Tribal Environmental Professionals at NAU. kurtlancaster.com

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