Overview

For more than thirty years, Jonathan Raban has written with infectious fascination about people and places in transition or on the margins, about journeys undertaken and destinations never quite reached, and, as an Englishman transplanted in Seattle, about what it means to feel rooted in America. Spanning two decades, Driving Home charts a course through the Pacific Northwest, American history, and current events as witnessed by a super-sensitive, all-seeing eye. Raban spots things we might otherwise miss; he calls up the apt metaphors that transform things into phenomena. He is one of our most gifted observers ( Newsday ). Stops en route include a Missoula bar, a Tea Party convention in Nashville hosted by Sarah Palin, the Mississippi in full flood, a trip to Hawaii with his daughter, a steelhead river in the Cascades, and the hidden corners of his adopted hometown, Seattle. He deftly explores public and personal spaces, poetry and politics, geography and catastrophe, art and economy, and the shifts in various arenas that define our society. Whether the topic is Robert Lowell or Barack Obama, or how various painters, explorers, and homesteaders have engaged with our mythical and actual landscape, he has an outsider's eye for the absurd, and his tone is intimate, never nostalgic, and always fresh. Frank, witty, and provocative, Driving Home is part essay collection, part diary--and irresistibly insightful about America's character, contradictions, and idiosyncrasies.

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9780307379917

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Reviews

A collection of essays about America and Americana . . . full of ideas that move through the language with the grace of a well-captained sailboat . . . Throughout, Raban reveals the traits that have long endeared him to his readers: a curiosity about the quirkiness of people and places, a ferocious love for the land, an elegance (but never pretentiousness) of style, self-deprecation, and an unusual ability to inhabit the imaginations of his interlocutors. <br> --Kirkus Reviews<br> <br> A delight . . . [Raban] stands detached from cant and superficiality, which is perhaps a prerequisite for the striking originalities and apercus with which he leavens every article. <br> --Booklist<br> <br> It takes a passionate history buff to note how many of America's virtues and vices have been present since independence and before, and a skilled raconteur to make us feel that passion. <br> --The Sunday Times <br> Teems with acerbic humor, but it contains, too, a wealth of astute cultural an

The central work of Raban's life might be described as an effort to determine what America is like ... But along with that, the reader notes, big water draws from Raban a kind of genius for natural description. --Thomas Powers, The New York Review of Books <br> <br> The Northwest should feel itself lucky to have found a writer as fabulous--filled to overflowing with stories, meaning, and insight--as the landscape itself demands ... It has been one of the great pleasures of the past twenty years to watch Raban discover this landscape for himself ... to see [it] and its people with a clarify unmatched by most natives. --Charles Petersen, Barnes and Noble review <br> Raban [here] showcases his craftsmanship as a writer and his bona fides as an intellectual. Every word is impeccably chosen, every metaphor meticulously selected.... [His] virtues are a writer are virtually unrivaled when it comes to explaining our relationships with landscapes and nature, and he's unrivaled, perio

Throughout [ Driving Home ], Raban reveals the traits that have long endeared him to his readers--a curiosity about the quirkiness of people and places, a ferocious love for the land, an elegance (but never pretentiousness) of style, self-deprecation and an unusual ability to inhabit the imaginations of his interlocutors . . . Full of ideas that move through the language with the grace of a well-captained sailboat. -- Kirkus Reviews <br> Raban stands detached from cant and superficiality, which is perhaps prerequisite for the striking originalities and apercus with which he leavens [ Driving Home, which] functions excellently as a smorgasbord. Sampling some of everything, readers may gladly follow Raban for layers beneath the surfaces of his subjects, becoming immersed in such matters as the history of landscapes, the perils and pleasures of sailing, and assessments of authors (Raban's book reviews are outstanding exercises in the genre) . . . A delight. --Gilbert Taylor, Boo

The central work of Raban's life might be described as an effort to determine what America is like ... But along with that, the reader notes, big water draws from Raban a kind of genius for natural description. --Thomas Powers, The New York Review of Books <br> <br> The Northwest should feel itself lucky to have found a writer as fabulous--filled to overflowing with stories, meaning, and insight--as the landscape itself demands ... It has been one of the great pleasures of the past twenty years to watch Raban discover this landscape for himself ... to see [it] and its people with a clarify unmatched by most natives. --Charles Petersen, Barnes and Noble review <br> Raban [here] showcases his craftsmanship as a writer and his bona fides as an intellectual. Every word is impeccably chosen, every metaphor meticulously selected.... [His] virtues are a writer are virtually unrivaled when it comes to explaining our relationships with landscapes and nature, and he's unrivaled, period, when describing water in all its forms, be it a placid puddle or a storm-swirled sea. --Phil Campbell, Columbia Journalism Review <br> Driving Home could easily have been titled The Jonathan Raban Reader, as the brisk, smartly crafted pieces are just that representative of [his] long and illustrative writing life....By combining them in one volume, Raban offers a lively stew of topics, themes that most interest the British citizen turned Seattleite, subjects that get him the most excited and riled....Readers have long been drawn to Raban for the elegance of his language and the eloquence of his thought and can expect to find the same in these essays. --Deborah Gwartney, The Oregonian <br> This Englishman in America is weird, unfettered, scruffy and alive....Mr. Raban's best writing, which is most of it, is succulent under a crusty exterior, like a fish baked in salt. His stuff is yet more proof that Britons are better travel writers and essayists than Americans: drie

Author Information

Jonathan Raban is the author, most recently, of the novels Surveillance and Waxwings; his nonfiction includes Passage to Juneau and Bad Land. His honors include the National Book Critics Circle Award, the PEN/West Creative Nonfiction Award, the Pacific Northwest Booksellers' Award, and the Governor's Award of the State of Washington. He lives in Seattle.

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