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OverviewEstablishing a new approach to reading Chinese landscape painting, this work centers around an early key example of scholarly painting, viz. Dream Journey on the Xiao and Xiang Rivers (late 12th century). The author restores the status of Dream Journey as a cultural icon for Confucians, an object of contemplation for aesthetes, an imaginary dream journey for poets, and an incentive to cultivate one's moral intentions for both Buddhist monks and lay scholars. Also it is convincingly argued that scholarly painting originates in the Southern Song (1127-1279) and not, as is commonly thought, in the Yuan Dynasty (1279-1368). Full Product DetailsAuthor: Valerie Malenfer OrtizPublisher: Brill Imprint: Brill Volume: 22 Dimensions: Width: 16.00cm , Height: 2.30cm , Length: 24.00cm Weight: 1.147kg ISBN: 9789004110113ISBN 10: 9004110119 Pages: 268 Publication Date: 09 June 1999 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Out of Print Availability: Out of stock ![]() Table of ContentsReviews' This book deserves praise as the first monograph on Dream Journey, for its penetrating insights into Literati as well as Chan art and the aesthetics, philosophy and art theories behind itThis is a long overdue contribution to our understanding of Song art based on one of the few undisputed paintings of this crucial period of Chinese culture.'<br>Uta Lauer, Arts Asiatiques, 2000.<br> 'This book deserves praise as the first monograph on Dream Journey , for its penetrating insights into Literati as well as Chan art and the aesthetics, philosophy and art theories behind it...This is a long overdue contribution to our understanding of Song art based on one of the few undisputed paintings of this crucial period of Chinese culture.' Uta Lauer, Arts Asiatiques, 2000. ' This book deserves praise as the first monograph on Dream Journey, for its penetrating insights into Literati as well as Chan art and the aesthetics, philosophy and art theories behind it This is a long overdue contribution to our understanding of Song art based on one of the few undisputed paintings of this crucial period of Chinese culture. ' Uta Lauer, Arts Asiatiques , 2000. Author InformationValerie Malenfer Ortiz, Ph.D. (1990) in Fine Arts, Harvard University, has published on the history of Chinese painting, concentrating on the Southern Song and Ming periods. Tab Content 6Author Website:Countries AvailableAll regions |