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9781978805071

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There is much to recommend in Williams' examples of, and conversation around, long-form comics of the period provided throughout the book....An excellent corrective to the scatter-shot references one usually encounters [that] succeeds in correcting some long-standing misconceptions about the development of the graphic novel. -- Inks Accessible and detailed, Williams's study expands on previous scholarship on the evolution of comics into graphic narratives. Highly recommended. -- Choice As Williams' detailed scholarship shows, efforts by major creators like Corben, Will Eisner, and Art Spiegelman secured academic and cultural legitimacy for the graphic novel while ensuring, through their newly integrative approach, a differential art recognized for its aesthetic seriousness yet independent of institutional strictures. -- Technical Communication Journal A thoughtful and engaging exploration of the complex disagreements and debates over the term, form and temporality of the 'graphic novel.' --Mel Gibson editor of Superheroes and Identities The 1970s are one of the most under-appreciated periods in the history of comic books. As sales collapsed, comic book publishers grasped at any innovation that offered a potential road forward. Paul Williams's masterful study focuses on this chaotic period as it traces the complex ways that catastrophic change spurred a fundamental reconsideration of what comic books were and could be. Drawing on a vast array of historical documents, Williams shows how the graphic novel became the cultural format of our time. --Bart Beaty author of The Greatest Comic Book of All Time Dreaming the Graphic Novel is a methodological wonder for scholars interested in American popular culture, digital humanities, text mining, and the history of comics and graphic novels. His mixed methodological approach allows him to successfully participate in 'the ongoing recovery of comics studies' prehistory' as well as establish 'a new way of doing graphic novel history.' Williams' book should be a required reading...for courses offering an introduction to graphic novels in the U.S. Comics fans, comics scholars, and those interested in the history of graphic novel might also find this a stimulating read. -- ImageTexT Dreaming the Graphic Novel undertakes the very important task of deepening our understanding of the origins of book format comics and giving a historical context to the anxieties around comics and graphic novels in the 2000s. -- European Journal of American Culture Review of Dreaming the Graphic Novel in Medienwissenschaft 01/2021-- Medienwissenschaft

A thoughtful and engaging exploration of the complex disagreements and debates over the term, form and temporality of the 'graphic novel.' --Mel Gibson editor of Superheroes and Identities The 1970s are one of the most under-appreciated periods in the history of comic books. As sales collapsed, comic book publishers grasped at any innovation that offered a potential road forward. Paul Williams's masterful study focuses on this chaotic period as it traces the complex ways that catastrophic change spurred a fundamental reconsideration of what comic books were and could be. Drawing on a vast array of historical documents, Williams shows how the graphic novel became the cultural format of our time. --Bart Beaty author of The Greatest Comic Book of All Time

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PAUL WILLIAMS is a Senior Lecturer in Twentieth-Century Literature at the University of Exeter in the U.K. The author of the books Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds (2011) and Paul Gilroy (2012), he has also published numerous articles and book chapters on the history of comics.

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