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Sito is at his best sorting through the issues arising from [the arrival of computers]... given that in a sense all cinema is animation, the demarcation and jurisdictional lines between special effects, digital artists (no more inkers and painters), various managers and supervisors became very complex indeed. -- Rick Thompson, Screening the Past

Sito describes the history and fiery personalities behind the formation of the Screen Cartoonists Union, the strikes and walk-outs, the effects of Hollywood blacklisting, and the battles at the bargaining tables. -- <i>Man vs. Art</i></p>

Drawing the Line provides an invaluable point of entry for professional scholars who wish to further investigate the intriguing field of artistic unionism. -- Paul Lawrie Labour/Le Travail

<p> Sito describes the history and fiery personalities behind the formation of the Screen Cartoonists Union, the strikes and walk-outs, the effects of Hollywood blacklisting, and the battles at the bargaining tables. -- Man vs. Art

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Tom Sito is an animator, director, and adjunct professor in the television and cinema departments at the University of Southern California and at the University of California at Los Angeles. His screen credits include Beauty and the Beast, Shrek, and The Lion King. In 1998 Animation Magazine named him as one of the most important people in animation.

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