Drawing on Art: Duchamp and Company
Author:   Dalia Judovitz
Publisher:   University of Minnesota Press
ISBN:  

9780816665303


Pages:   288
Publication Date:   12 February 2010
Format:   Paperback
Availability:   Temporarily unavailable   Availability explained
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Drawing on Art: Duchamp and Company


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Overview

Marcel Duchamp's 1919 readymade, L.H.O.O.Q., which he created by drawinga moustache and goatee on a commercial reproduction of the Mona Lisa, precipitated a radical reevaluation of the meaning of art, the process of art making, and the role of the artist. In Drawing on Art, Dalia Judovitz explores the central importance of appropriation, collaboration, influence, and play in Duchamp's work-and in Dada and Surrealist art more broadly-to show how the concept of art itself became the critical fuel and springboard for questioning art's fundamental premises.

Full Product Details

Author:   Dalia Judovitz
Publisher:   University of Minnesota Press
Imprint:   University of Minnesota Press
Dimensions:   Width: 14.00cm , Height: 2.00cm , Length: 21.60cm
Weight:   0.435kg
ISBN:  

9780816665303


ISBN 10:   0816665303
Pages:   288
Publication Date:   12 February 2010
Audience:   General/trade ,  Professional and scholarly ,  General ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

Table of Contents

List of Illustrations, Introduction: Drawing on Art and Artists, 1. Critiques of the Ocular: Duchamp and Paris Dada, 2. The Spectacle of Film: Duchamp and Dada Experiments, 3. Endgame Strategies: Art, Chess, and Creativity, 4. Pointing Fingers: Dalí’s Homage to Duchamp, 5. The Apparatus of Spectatorship: Duchamp, Matta-Clark, and Wilson, Concluding Remarks: Mirrorical Returns, Notes, Index

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Author Information

Dalia Judovitz is National Endowment for the Humanities Professor of French at Emory University. She is the author of Unpacking Duchamp: Art in Transit, Subjectivity and Representation in Descartes: The Origins of Modernity, and The Culture of the Body: Genealogies of Modernity.

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