Overview

A grimoire honoring Ahriman as the Prince of the World and the Daevas as 'Deific Masks' of primal power, DRAUGA has been a work which has been developed and adapted from ancient texts and practical modern interpretation. Presenting the origins of the Yatuk Dinoih (witchcraft) from Bronze Age Mitanni in Mesopotamia, Indo-Aryan North India (Rig Veda) and the cult of the Daevas including the storm/war Daevas Indra and Savar (Rudra), to the Persian Zoroastrian period, DRAUGA offers the historical and mythological foundation of the practices of Yatuk Dinoih and Ahura Mazda, Mithra, Anahita and the pantheons which held balance in the cosmological war of darkness and light. DRAUGA is beautifully illustrated by Kitti Solymosi and Mitchell Nolte, the sigils and illustrations present a gateway to a rich ancient tradition of Persian demonology and modern Left Hand Path (Luciferian) magical practice invoking the primal force of darkness and guiding it internally with the order-bringing Mithraic force of the Solar mysteries.The rites of the Yatuk Dinoih include adaptations from ancient Indo-Aryan, Median, Persian and Zoroastrian inversions associated with the Avesta and Vendidad ceremonies. The Yatukan tradition is centered on gaining insight, power and control over the elementals and internal darkness; the desires and instincts associated with Ahriman allows for pleasure, success, wealth and the balance of death, destruction and cursing ones' enemies.

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9781500413064

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MICHAEL W. FORD has been a practicing Luciferian/Satanist for over 17 years. Mr. Ford's path has led him through an initiatory system which has both inspired and changed the life for many individuals. Originally focused on obscure, hit and run left hand path booklets Ford's approach to magick was from a luciferian point of view. Soon after, the demand for his works sky rocketed and Luciferian Witchcraft was published. Soon after, the obscure and hard to get published Book of the Witch Moon was published in a final edited edition to numerous acclaim. With the further development of THE ORDER OF PHOSPHORUS, Ford understood his role was changing and he would have to adapt from solitary practitioner to someone who could explain a growing ideology which is totally separate from Judeo-Christian and modern ceremonial magick structures. The Bible of the Adversary drew together the trans-cultural perspective of the various aspects of the luciferian spirit, utilizing various workings which would allow the adept to enter the depths of darkness and ascend with the wisdom gained via the experience.

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