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OverviewFull Product DetailsAuthor: Dr. Gail Segal (Tisch School of the Arts, New York University, USA) , Sheril Antonio (Tisch School of Arts, New York University, USA)Publisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Academic Weight: 0.896kg ISBN: 9781474285827ISBN 10: 1474285821 Pages: 232 Publication Date: 29 July 2021 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. The Camera 2. The Static Camera 3. Camera Work and Formal Properties 4. Camera Work and the Close-Up 5. The Moving Camera 6. Camera Work and Mise En Scene 7. Camera Work and The Long Take 8. The Hand-held Camera 9. Creating Visual Dynamics Glossary Bibliography Online Resources IndexReviewsThis book is filled with the same love and knowledge of cinema that I experienced as a graduate student at NYU. I'm so excited that others can now share this knowledge. Drawing from important references both classic and new, Segal and Antonio guide us through the seemingly infinite possibilities of our craft, whilst beautifully illustrating its traditions. It is a wonderful resource for both experienced filmmakers and students. A treasure. * Joshua James Richards, Director of Photography of Nomadland (2020) * I really appreciate how a book like this introduces language and thinking that reflects a broader cultural perspective on the arts into the aesthetics of film form (i.e. referencing Seamus Heaney not because of his stature as a poet, but because of this insight as an artist and the way in which poetic and aesthetic insight is so relevant and so inspirational). Segal and Antonio weave their elegant prose with analytic insight; the writing is warm, passionate and precise. * Rick Litvin, Arts Professor, Tisch School of the Arts, New York University, USA * I really appreciate how a book like this introduces language and thinking that reflects a broader cultural perspective on the arts into the aesthetics of film form (i.e. referencing Seamus Heaney not because of his stature as a poet, but because of this insight as an artist and the way in which poetic and aesthetic insight is so relevant and so inspirational). Segal and Antonio weave their elegant prose with analytic insight; the writing is warm, passionate and precise. * Rick Litvin, Arts Professor, Tisch School of the Arts, New York University, USA * Author InformationGail Segal is an Associate Arts Professor in the Graduate Division of Film and TV and the Department Head of Interdisciplinary Collaborations at NYU's Tisch School of the Arts, USA. Sheril Antonio is an Associate Arts Professor in the Department of Art and Public Policy and the Senior Associate Dean for Strategic Initiatives at NYU's Tisch School of the Arts, USA. Tab Content 6Author Website:Countries AvailableAll regions |
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