Dramatic Dance: An Actor's Approach to Dance as a Dramatic Art

Author:   Darren Royston
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781408173817


Pages:   168
Publication Date:   24 April 2014
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Dramatic Dance: An Actor's Approach to Dance as a Dramatic Art


Overview

Dance is part of the art of theatre, a part which connects to movement, to communication, to improvisation, and to performance. It cannot exist on its own in the context of dramatic performance, but works in conjunction with other elements to enable meanings to be created in performance. Dramatic Dance sets a programme for actors to perform dance as part of the drama, offering several approaches which can contribute to developing this understanding, to training this skill, and always ensuring that the whole active and thinking body and mind are fully engaged with the task of making dance an integral and vital part of theatre. To study dance in this way allows students to develop further their understanding of logic and structure in a dramatic text. Many books deal with one aspect of dance or another: some on dance training, some on dance history, some on Rudolf Laban’s ideas, some as dance manuals, and some as academic papers. Dramatic Dance is the first book to act as a comprehensive guide for theatre practice, bringing together these different, complementary disciplines.

Full Product Details

Author:   Darren Royston
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Dimensions:   Width: 19.00cm , Height: 1.40cm , Length: 24.40cm
Weight:   0.360kg
ISBN:  

9781408173817


ISBN 10:   1408173816
Pages:   168
Publication Date:   24 April 2014
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction Alternative Approaches: Making Dance Dramatic Chapter One Ancient Ideas: Dionysian Orchestration Chapter Two Medieval Realms: Feudal Formations Video samples: [1] French Basse Danse: La Dame; [2] Royal Estampie: La Quinte Estampie Real Chapter Three Italian Balls: Renaissance Rhythms Video samples: [3] Italian Bassadanza for 2: Alexandresca; [4] Italian Bassadanza for 3: Pellegrina; [5] Italian Ballo for 2: Rostibolly Gioioso; [6] Italian Ballo for 4: Anello Chapter Four Shaking with Shakespeare: Court and Country Video samples: [7] New Almaine; [8] La Volta; [9] Italian Balletto: Torneo Amoroso; [10] Washerwomen’s Branle; [11] Country Dance for 2 couples: Rufty Tufty; [12] Country Dance for 3 couples: Shepherds’ Holiday; [13] Country Dance for 3 couples: Picking of Sticks Chapter Five Baroque Around the Clock: Mincing by the Minuet Video Samples: [14] The Ballroom Minuet; [15] Bourrée Chapter Six Nineteenth Century Coupling: Partners Please Video samples; [16] Allemanding; [17] Mazurka; [18] Polka Chapter Seven Twentieth Century Foxtrots: Crazy Dances and Dance Crazes Video sample: [19] Charleston Conclusion Taking Leave: The Final Bow

Reviews

Actors get so much from the practical experience of exploring historical dance ideas ... Darren's fantastic, thorough approach to dance for the actor can be referred to throughout the rehearsal process and helps to unite the style of the production. Jamie Lloyd, Director, She Stoops to Conquer, National Theatre, London This all-embracing approach gives actors a grounding in fundamental stagecraft and a vital sense of body while preparing for a role. Andrew Normington, Director, The Lord Chamberlain's Men & former Head of Acting, Bristol Old Vic Theatre School


Actors get so much from the practical experience of exploring historical dance ideas ... Darren's fantastic, thorough approach to dance for the actor can be referred to throughout the rehearsal process and helps to unite the style of the production. Jamie Lloyd, Director, She Stoops to Conquer, National Theatre, London This all-embracing approach gives actors a grounding in fundamental stagecraft and a vital sense of body while preparing for a role. Andrew Normington, Director, The Lord Chamberlain's Men & former Head of Acting, Bristol Old Vic Theatre School Royston, a tutor at Rada, gives the reader a fascinating insight into the techniques used at this prestigious institution ... A lively exploration of how historical dance forms can be brought to life on stage. -- Gillian Spickernell The Lady


Author Information

Darren Royston is a Dance and Movement Tutor and Choreographer at RADA, and the Artistic Director and Choreographer for Nonsuch History and Dance. He is council member of many professional organizations including The Laban Guild for Movement and Dance, The European Association of Dance Historians, DANCE UK Choreographers’ Forum and the Early Dance Circle (UK) and a member of UNESCO International Council for Dance.

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