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9781783273652

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Correcting the record when it comes to Schubert's supposed lack of success in musical drama... the editors seek to highlight Schubert's innovations in theatrical composition, shed new light on those of Schubert's lieder that have special claims on drama, and elucidate his unique approaches to drama in instrumental music... should interest musicologists, theorists, and performers alike, contains many valuable new insights into Schubert's music, an oeuvre that cannot be so easily pinned down by any traditional aesthetic category. * JOURNAL OF THE SOCIETY FOR MUSICOLOGY IN IRELAND *

Correcting the record when it comes to Schubert's supposed lack of success in musical drama... the editors seek to highlight Schubert's innovations in theatrical composition, shed new light on those of Schubert's lieder that have special claims on drama, and elucidate his unique approaches to drama in instrumental music... should interest musicologists, theorists, and performers alike, contains many valuable new insights into Schubert's music, an oeuvre that cannot be so easily pinned down by any traditional aesthetic category. JOURNAL OF THE SOCIETY FOR MUSICOLOGY IN IRELAND

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JOE DAVIES is Marie Skłodowska-Curie Global Fellow at Maynooth University and the University of California, Irvine. He is editor of Clara Schumann Studies (2021), guest-editor of the special journal issue 'Clara Schumann: Changing Identities and Legacies' (2023), and co-editor of Drama in the Music of Franz Schubert (Boydell Press, 2019). SUSAN WOLLENBERG is Emeritus Professor of Music, University of Oxford, as well as Emeritus Fellow of Lady Margaret Hall.

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