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OverviewFull Product DetailsAuthor: Nadia Thérèse van Pelt (University of Leiden, The Netherlands)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.284kg ISBN: 9781138189379ISBN 10: 1138189375 Pages: 144 Publication Date: 03 April 2019 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAt its best, this useful study provides an innovative framework for approaching the relationship between spectatorship, performances and playmakers. The chapters adroitly bring together performances in a pan-European context which is still all too little discussed. Jamie Beckett, Literature & History, UK Accompanying its readers across an impressive range of geographic, temporal, or linguistic boundaries, Drama in Medieval and Early Modern Europe guides them toward a better understanding of the common ground on which the theatrical cultures of medieval and early modern Europe were built. David J. Amelang, Universidad Autonoma de Madrid, Spain, RENAISSANCE QUARTERLY VOLUME LXXIV """At its best, this useful study provides an innovative framework for approaching the relationship between spectatorship, performances and playmakers. The chapters adroitly bring together performances in a pan-European context which is still all too little discussed."" Jamie Beckett, Literature & History, UK ""Accompanying its readers across an impressive range of geographic, temporal, or linguistic boundaries, Drama in Medieval and Early Modern Europe guides them toward a better understanding of the common ground on which the theatrical cultures of medieval and early modern Europe were built."" David J. Amelang, Universidad Autónoma de Madrid, Spain, RENAISSANCE QUARTERLY VOLUME LXXIV" At its best, this useful study provides an innovative framework for approaching the relationship between spectatorship, performances and playmakers. The chapters adroitly bring together performances in a pan-European context which is still all too little discussed. Jamie Beckett, Literature & History, UK Author InformationNadia Thérèse van Pelt is a Lecturer at Delft University of Technology, The Netherlands. She obtained her PhD at the University of Southampton in 2014 and focuses her research on early European drama and spectacle, through the study of playmaker strategies and spectatorship. Tab Content 6Author Website:Countries AvailableAll regions |