Drama and Traditional Story for the Early Years

Author:   Francis Prendiville ,  Jonothan Neelands ,  Nigel Toye
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138141483


Pages:   268
Publication Date:   21 April 2016
Format:   Hardback
Availability:   In Print   Availability explained
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Drama and Traditional Story for the Early Years


Overview

This is a book that looks at how drama has its basis in good early years practice. Most early years practitioners are doing some drama and are edging towards more structured work - this text will help them go further by building their own skills. Using tried and tested example dramas based on traditional stories, the authors show how clearly dramas are constructed. They move from the simple use if TiR (Teacher in Role) to more complex, full dramas, using traditional stories including Little Bo Peep, Cinderella, Sleeping Beauty, Humpty Dumpty, The Pied Piper, The Billy Goats Gruff and Hansel and Gretel. Drama in the early years covers a number of key areas where drama is of particular importance for this age group including: * drama in the National Curriculum * how drama can help your teaching of the Literacy Hour * personal and social education and citizenship * drama and special needs * assessment * recording and progression * developing a school policy for drama.

Full Product Details

Author:   Francis Prendiville ,  Jonothan Neelands ,  Nigel Toye
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.660kg
ISBN:  

9781138141483


ISBN 10:   1138141488
Pages:   268
Publication Date:   21 April 2016
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Author Information

Nigel Toye and Francis Prendiville are both Senior Lecturers in Drama at St Martins College at Ambleside, Lancaster and Carlisle campuses. They each have extensive teaching experience, both in the classroom and in an advisory capacity, and bring to this book the very best examples of good practice.

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