Overview

Garbage men in the future venture back to an abandoned Earth to try to clean up the toxic waste and damage done by humans ages ago. One man’s trash is another man's living. Since earth became inhospitable, humanity escaped ages ago to live in a space station floating above the atmosphere. Now Travis and his crew of garbage men are tasked with cleaning up mountains of toxic waste, working for a company called Atomic Bros INC., to create a ‘Clear World’. But when one of Travis’ crew members goes missing near an old nuclear facility Travis' job becomes a bit more complicated.

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9781952303708

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Reviews

"""Cardoselli’s hyper-detailed, endlessly creative art suggests a chunkier, funnier version of artists like Moebius and Geoff Darrow. The action moves quickly, leaving readers wanting more. It’s a cheerfully nihilistic ramble through a wild, deadly wasteland that feels eerily prescient."" * <I>Publishers Weekly</I> * ""The chaotic nature of the narrative is served perfectly by Cardoselli’s (Sweet Downfall) bumpy, blotchy, almost infected-looking illustrations of grotesque human forms, nightmare landscapes, and the occasional elegant pink flamingo. [...] Delightfully sinister and gleefully borrowing from its apocalyptic forbears, this is a fatalistic fever dream."" -- Emilia Packard * <I>Library Journal</I> * ""Cardoselli’s artwork is what truly brings this story to life. His chunky lines and generally dirty pages fit in perfectly with his tale of a trashed and abandoned Earth."" * Comicon.com * ""Strange, surreal, intelligent, and deeply compelling."" -- David Brooke * <I>AIPT</I> * ""Don't Spit in the Wind is engrossing and captivating as uniquely envisioned by Cardoselli. Reminiscent of Wall-E with the mysterious tension of a Hitchcock thriller, the first issue expertly introduces readers to a funky future world that shames humanity's failings while establishing a dark twist all its own. Nothing looks like Don't Spit in the Wind [...]"" -- Hank Rea * <I>Lotusland Comics</I> * ""Cardoselli’s storytelling about cynical trash cleaners adds a murderous twist to an intriguing mystery, and Dan Lee’s coloring makes Cardoselli’s unique art style significantly better."" -- Gabriel Hernandez * <I>Comical Opinions</I> * ""Paints a great picture of the dystopian world that humanity has caused."" * <I>You Promised Me Comics</I> *"

"""Cardoselli’s hyper-detailed, endlessly creative art suggests a chunkier, funnier version of artists like Moebius and Geoff Darrow. The action moves quickly, leaving readers wanting more. It’s a cheerfully nihilistic ramble through a wild, deadly wasteland that feels eerily prescient."" * <I>Publishers Weekly</I> * ""Cardoselli’s artwork is what truly brings this story to life. His chunky lines and generally dirty pages fit in perfectly with his tale of a trashed and abandoned Earth."" * Comicon.com * ""Strange, surreal, intelligent, and deeply compelling."" -- David Brooke * <I>AIPT</I> * ""Don't Spit in the Wind is engrossing and captivating as uniquely envisioned by Cardoselli. Reminiscent of Wall-E with the mysterious tension of a Hitchcock thriller, the first issue expertly introduces readers to a funky future world that shames humanity's failings while establishing a dark twist all its own. Nothing looks like Don't Spit in the Wind [...]"" -- Hank Rea * <I>Lotusland Comics</I> * ""Cardoselli’s storytelling about cynical trash cleaners adds a murderous twist to an intriguing mystery, and Dan Lee’s coloring makes Cardoselli’s unique art style significantly better."" -- Gabriel Hernandez * <I>Comical Opinions</I> * ""Paints a great picture of the dystopian world that humanity has caused."" * <I>You Promised Me Comics</I> *"

Author Information

Stefano Cardoselli is a Bram Stoker Awards Winner, artist, illustrator and scriptwriter. His works have been Published with Heavy Metal Magazine, 2000 AD, Simon and Schuster, Source Point Press, Antarctic Press, and Scout Comics. He works for cinema as a character designer and storyboard artist. He lives in Orbetello-Tuscany, Italy. Dan Lee is a Welsh comic writer and artist based in Tokyo. Formally working in the children’s animation industry, he decided to focus on pursuing his dream of making comics and telling his own stories in books such as 'Gifford the Clown' and 'Choo-Bots'.

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