Dodin and the Maly Drama Theatre: Process to Performance

Author:   Maria Shevstova (Goldsmiths College, University of London, UK) ,  Simon Callow
Publisher:   Taylor & Francis Ltd
Edition:   annotated edition
ISBN:  

9780415334617


Pages:   256
Publication Date:   26 February 2004
Format:   Hardback
Availability:   In Print   Availability explained
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Dodin and the Maly Drama Theatre: Process to Performance


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Full Product Details

Author:   Maria Shevstova (Goldsmiths College, University of London, UK) ,  Simon Callow
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   annotated edition
Dimensions:   Width: 15.60cm , Height: 1.80cm , Length: 23.40cm
Weight:   0.620kg
ISBN:  

9780415334617


ISBN 10:   0415334616
Pages:   256
Publication Date:   26 February 2004
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

This study will delight Dodin fans, especially since it is written by such a committed and lucid enthusiast. -Nick Worral, Slavic Review, 06/2005 I really enjoyed this very readable book by a respected scholar. It is sufficiently comprehensive to convey a full impression of Dodin's work to readers who have not seen production. -Peta Tait, La Trobe University, Modern Drama, Summer 2005


This study will delight Dodin fans, especially since it is written by such a committed and lucid enthusiast. <br>-Nick Worral, Slavic Review, 06/2005 <br> I really enjoyed this very readable book by a respected scholar. It is sufficiently comprehensive to convey a full impression of Dodin's work to readers who have not seen production. <br>-Peta Tait, La Trobe University, Modern Drama, Summer 2005 <br>


Author Information

Maria Shevtsova is Professor of Theatre Arts and Director of Postgraduate Studies at Goldsmiths College, University of London. She is co-editor of New Theatre Quarterly.

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