Overview

Full Product Details

Author:   Toni Sant (University of Hull, Scarborough, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Dimensions:   Width: 13.80cm , Height: 2.30cm , Length: 21.60cm
Weight:   0.449kg
ISBN:  

9781472588173

ISBN 10:   1472588177
Pages:   392
Publication Date:   23 March 2017
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Documenting Performance: An Introduction Toni Sant (University of Hull, United Kingdom) Part I: Documenting Performance in a Digital Curation Context 2. Performing Arts and Their Memories Daniela Salazar (New University of Lisbon, Portugal) 3. Description Models for Documenting Performance Alberto Pendón (Miguel de Cervantes Municipal Theatre, Spain) and Gema Bueno (Charles III University of Madrid, Spain) 4. Intellectual Property Matters for Documenting Performance Jeanine Rizzo (Fenech & Fenech Advocates, Malta) 5. Expanding Documentation, or making the most of the cracks in the wall Annet Dekker (Piet Zwart Institute, the Netherlands), Gabriella Giannachi (University of Exeter, United Kingdom), and Vivian van Saaze (Maastricht University, the Netherlands) Part II: Ways of Documenting 6. Remembering Performance Through the Practice of Oral History Panayiota Demitriou (University of Bristol, United Kingdom) 7. Translating Performance: desire, intention and interpretation in photographic documents Helen Newall (Edge Hill University, United Kingdom), Amy Skinner (University of Hull, United Kingdom), and Allan Taylor (University of East London, United Kingdom) 8. Documenting Audience Experience: Social Media as Lively Stratification Joanna Bucknall (The University of Portsmouth, United Kingdom) and Kirsty Sedgman (United Kingdom) 9. Web Archiving and Participation: the future history of performance? Vanessa Bartlett (University of New South Wales, Australia) 10. Documenting Digital Performance Artworks Adam Nash (RMIT University, Australia) and Laurene Vaughan (RMIT University, Australia) Part III: Documenting and Archiving 11. Paradocumentation and NT Live’s ‘CumberHamlet’ Daisy Abbott (Glasgow School of Art, United Kingdom) and Claire Read (University of Roehampton, United Kingdom) 12. Archiving Shakespeare and Thinking Virtually in a Distracted Globe Alvin Eng Hui Lim (National University of Singapore, Singapore) 13. From Copper-Plate Inscriptions to Interactive Websites: Documenting Javanese Wayang Theatre Miguel Escobar (National University of Singapore, Singapore) 14. Documenting Music Performance in the Western Australian New Music Archive Cat Hope (Western Australian Academy of Performing Arts, Australia), Adam Trainer (Western Australian Academy of Performing Arts, Australia), and Lelia Green (Western Australian Academy of Performing Arts, Australia) 15. Participation and Presence: Propositional Frameworks for Engaging Users in the Design of the Circus Oz Living Archive Laurene Vaughan (RMIT University, Australia) Part IV: Documenting Bodies in Motion 16. What do we document? Dense video and the epistemology of practice Ben Spatz (University of Huddersfield, United Kingdom) 17. The Pleasures of Writing about the Pleasures of the Practice: Documenting Psychophysical Performer Training Alissa Clarke (De Montfort University, United Kingdom) 18. Dance Archival Futures: Embodied Knowledge and the Digital Archive of Dance Laura Griffiths (Leeds Beckett University, United Kingdom) 19. Documenting Dance: Tools, Frameworks and Digital Transformation Sarah Whatley (Coventry University, United Kingdom) List of Contributors Notes Index

Reviews

[Offers] new insights into emerging documenting processes and methodologies. * South African Theatre Journal *

Author Information

Toni Sant is the Artistic Director of Spazju Kreattiv, Malta’s national centre for creativity at St James Cavalier in Valletta and is also the author of the books Franklin Furnace & the Spirit of the Avant Garde: A History of the Future (2011) and Remembering Rediffusion in Malta: A History Without Future (2015).

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