Documentation, Disappearance and the Representation of Live Performance

Author:   M. Reason
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2006
ISBN:  

9781349546039


Pages:   269
Publication Date:   22 September 2006
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Documentation, Disappearance and the Representation of Live Performance


Overview

The documentation of practice is one of the principle concerns of performance studies. Focusing on contemporary performance practice and with emphasis on the transformative impact of video, photography and writing, this book explores the ideological, practical, and representational implications of knowing performance through its documentations.

Full Product Details

Author:   M. Reason
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2006
Dimensions:   Width: 14.00cm , Height: 1.60cm , Length: 21.60cm
Weight:   0.454kg
ISBN:  

9781349546039


ISBN 10:   1349546038
Pages:   269
Publication Date:   22 September 2006
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

'Matthew Reason's book is highly pertinent to current debates around the documentation of performance. It represents, to my knowledge, the first sustained attempt to capture and rationalise what is at stake in the practice. Drawing on the work of artists and companies as diverse as Forced Entertainment, DV8, Annie Sprinkle and the Traverse Theatre Company, he analyzes with authority and clarity a startling range of art and documentary forms, incorporating video, still photography, dance, new performance, live art, writing and drama. With its immediate relevance to the fast-evolving phenomenon of practice as research, this is a book that will meet with a broad degree of interest from students, scholar and practitioners alike.' - Dr Nicolas Whybrow, Senior Lecturer in Theatre and Performance Studies, University of Warwick, UK


Author Information

MATTHEW REASON is a Research Fellow in Performance at York St John University College, UK.

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