Full Product Details
Author: Gustavo Procopio Furtado (Assistant Professor of Romance Studies, Assistant Professor of Romance Studies, Duke University)
Publisher: Oxford University Press Inc
Imprint: Oxford University Press Inc
Dimensions:
Width: 23.10cm
, Height: 2.00cm
, Length: 15.50cm
Weight: 0.454kg
ISBN: 9780190867058
ISBN 10: 0190867051
Pages: 280
Publication Date: 07 February 2019
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Paperback
Publisher's Status: Active
Availability: To order
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Reviews
This book is eminently political. It tackles documentary filmmaking as a way of interfering in and changing society. Furtado has devised a tremendously original and effective method of understanding documentary making in Brazil as the construction of a huge archive where memory, history and culture combine in order to provide a reliable programme for a better future. For the first time, in this book, indigenous production is given pride of place alongside consecrated masterpieces, such as Eduardo Coutinho's 20 Years Later, Jo~ao Moreira Salles's Santiago, and Adirley Queir'os' recent documentary sci-fi Black Out, White In. With breathtaking erudition, attentive to both the detail and the broader picture, Furtado has given us a riveting and compelling vision of Brazil today. Brazilian politicians would have a lot to learn from it! * L'ucia Nagib, Professor of Film, University of Reading * Addressing both contemporary documentary production in Brazil and documentary cinema in general, Furtado uses the concept of the archive to explore the intersections of memory, representation and power. Skillfully weaving sophisticated theoretical arguments with contextual and detailed film analyses, the book is a pleasure to read. It makes a crucially significant intervention in Brazilian film studies and will also become an essential companion to any discussion of contemporary documentary cinema. * Ana Lopez, Tulane University * An exhilarating work, Gustavo Furtado's wide-ranging Documentary Filmmaking in Brazil, heralds a bright future for Brazilian film criticism. Furtado gives us fresh insights even about films whose meaning had presumably been exhaustively covered. Especially impressive is his sensitivity to the issues raised by indigenous media and 'first contact' films. The mobilization of theory for purposes of close analysis is simply brilliant. * Robert Stam, New York University *
This book is eminently political. It tackles documentary filmmaking as a way of interfering in and changing society. Furtado has devised a tremendously original and effective method of understanding documentary making in Brazil as the construction of a huge archive where memory, history and culture combine in order to provide a reliable programme for a better future. For the first time, in this book, indigenous production is given pride of place alongside consecrated masterpieces, such as Eduardo Coutinho's 20 Years Later, Joao Moreira Salles's Santiago, and Adirley Queiros' recent documentary sci-fi Black Out, White In. With breathtaking erudition, attentive to both the detail and the broader picture, Furtado has given us a riveting and compelling vision of Brazil today. Brazilian politicians would have a lot to learn from it! * Lucia Nagib, Professor of Film, University of Reading * Addressing both contemporary documentary production in Brazil and documentary cinema in general, Furtado uses the concept of the archive to explore the intersections of memory, representation and power. Skillfully weaving sophisticated theoretical arguments with contextual and detailed film analyses, the book is a pleasure to read. It makes a crucially significant intervention in Brazilian film studies and will also become an essential companion to any discussion of contemporary documentary cinema. * Ana Lopez, Tulane University * An exhilarating work, Gustavo Furtado's wide-ranging Documentary Filmmaking in Brazil, heralds a bright future for Brazilian film criticism. Furtado gives us fresh insights even about films whose meaning had presumably been exhaustively covered. Especially impressive is his sensitivity to the issues raised by indigenous media and 'first contact' films. The mobilization of theory for purposes of close analysis is simply brilliant. * Robert Stam, New York University *
Author Information
Gustavo Procopio Furtado is Assistant Professor of Romance Studies, Latin American Studies, and Arts of the Moving Image at Duke University where he teaches classes on Latin American literature and cinema. His research focuses on audiovisual production with special attention to documentary and ethnographic film traditions and to the intersections between aesthetics and politics.
