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OverviewExplores Rembrandt's unique approach to depicting the nature of divine encounter and the complexities of its representation. Rembrandt took an unusual and dramatic approach to biblical subjects, exploring the nature of divine encounter and the complexities of its representation, making use of the viewer's knowledge of the subject whilst finding ways to bring the familiar to life. Discussions about what we see as opposed to what we know were prevalent in the religious, artistic, scientific, and philosophical thinking of the period. It was left to artists to portray divine encounter in pictorial form. This new, scholarly volume brings together 10 works by Rembrandt which portray biblical episodes, examining these works as a group and considering them in context. AUTHOR: Joanna Sheers Seidenstein is the 201517 Anne L. Poulet Curatorial Fellow at The Frick Collection, New York. She is a doctoral candidate at New York University's Institute of Fine Arts, where she is writing a dissertation on Rembrandt's treatments of themes from classical antiquity. SELLING POINTS: . Features a rarely exhibited painting by Rembrandt van Rijn alongside other religious works by the artist and his contemporaries . Helps readers understand what Rembrandt's influences and intentions were in the context of the theological and artistic debates of the 17th-century 31 colour images Full Product DetailsAuthor: Joanna Sheers SeidensteinPublisher: D Giles Ltd Imprint: D Giles Ltd ISBN: 9781911282037ISBN 10: 1911282034 Pages: 72 Publication Date: 01 May 2017 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationJoanna Sheers Seidenstein is the 2015-17 Anne L. Poulet Curatorial Fellow at The Frick Collection, New York. She is a doctoral candidate at New York University's Institute of Fine Arts, where she is writing a dissertation on Rembrandt's treatments of themes from classical antiquity. From 2009 to 2014, she held the Institute's Kaplan-Fisch Fellowship in the Connoisseurship of European Paintings. At The Frick Collection, where she has worked since 2002 as a Curatorial and Research Assistant, she has contributed to such publications as Goya's Last Works (2006), The Spanish Manner: Drawings from Ribera to Goya (2010), and Rembrandt and His School: Masterworks from the Frick and Lugt Collections (2011). In 2015, she organized the exhibition Landscape Drawings in The Frick Collection. Tab Content 6Author Website:Countries AvailableAll regions |