Distributed Creativity: Collaboration and Improvisation in Contemporary Music
Author:   Eric F. Clarke (Heather Professor of Music, Heather Professor of Music, University of Oxford) ,  Mark Doffman (Research Fellow, Creative Practice in Contemporary Concert Music, Research Fellow, Creative Practice in Contemporary Concert Music, University of Oxford)
Publisher:   Oxford University Press Inc
ISBN:  

9780199355914


Pages:   380
Publication Date:   08 February 2018
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Distributed Creativity: Collaboration and Improvisation in Contemporary Music


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Author:   Eric F. Clarke (Heather Professor of Music, Heather Professor of Music, University of Oxford) ,  Mark Doffman (Research Fellow, Creative Practice in Contemporary Concert Music, Research Fellow, Creative Practice in Contemporary Concert Music, University of Oxford)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.60cm , Height: 3.30cm , Length: 16.00cm
Weight:   0.635kg
ISBN:  

9780199355914


ISBN 10:   0199355916
Pages:   380
Publication Date:   08 February 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Eric Clarke is Heather Professor of Music at the University of Oxford, a Professorial Fellow of Wadham College and a Fellow of the British Academy. He has published on issues in the psychology of music, musical meaning, music and consciousness, and the analysis of pop. His books include Ways of Listening (2005), Music and Mind in Everyday Life (2010), and Music and Consciousness (2011). Mark Doffman is a lecturer in the Faculty of Music, University of Oxford, where he was a research associate in the AHRC Research Centre for Musical Performance as Creative Practice before receiving a Leverhulme Early Career Fellowship. He has research interests in the psycho-social aspects of performance; has published on jazz, creativity and social interaction in music; and performs regularly as a jazz drummer.

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