Distance, Theatre, and the Public Voice, 1750–1850

Author:   M. Nuss
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2012
ISBN:  

9781349450800


Pages:   197
Publication Date:   05 December 2012
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Distance, Theatre, and the Public Voice, 1750–1850


Overview

As theatres expanded in the eighteenth and nineteenth centuries, the distance between actor and audience became a telling metaphor for the distance emerging between writers and readers. Nuss explores the ways in which theatre helped authors imagine connecting with a new mass audience.

Full Product Details

Author:   M. Nuss
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2012
Dimensions:   Width: 14.00cm , Height: 1.10cm , Length: 21.60cm
Weight:   0.454kg
ISBN:  

9781349450800


ISBN 10:   1349450804
Pages:   197
Publication Date:   05 December 2012
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"Introduction: Impossible Theaters 1. Pantomime: Killing the Drama in Order to Save It 2. Spaces with Meaning: Crossing from Stage to Closet in Byron and Inchbald 3. Man Seeing: Wordsworth and the Theatrical Voice 4. 'The Great Master Of Ideal Mimicry"": Shelley´s Struggle With The Actor 5. Creative Spectacle: Hunt, Hazlitt, De Quincey Conclusion: Reaching a Mass Audience Face to Face"

Reviews

'In this taut little book, Nuss examines the ways that literary figures experimented with theatre forms and techniques as public theatres proliferated from the 18th into 19th century . . . This solid study will interest advanced students and scholars exploring the nexus of performance and literature. Summing Up: Recommended. Upper-division undergraduates and above.' - CHOICE


'In this taut little book, Nuss examines the ways that literary figures experimented with theatre forms and techniques as public theatres proliferated from the 18th into 19th century ... This solid study will interest advanced students and scholars exploring the nexus of performance and literature. Summing Up: Recommended. Upper-division undergraduates and above.' - CHOICE


Author Information

Melynda Nuss is an associate professor in the Department of English at the University of Texas-Pan American, USA.

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