Disrupting Archaeology and Art: Excavation and Contemporary Painting

Author:   Doug Bailey (San Francisco State University, USA) ,  Simon Callery (Independent Scholar, UK)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350507517


Pages:   176
Publication Date:   14 May 2026
Format:   Hardback
Availability:   To order   Availability explained


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Disrupting Archaeology and Art: Excavation and Contemporary Painting


Overview

There is a long history of interaction and collaboration between artist and archaeologist. However, recent provocative work in the field, studio, museum and gallery, has opened new possibilities for radical alliances and creations. Disrupting Archaeology and Art presents the work and conversation of an archaeologist and a contemporary painter who have moved into experimental territories beyond the traditional boundaries of their disciplines. This book presents detailed descriptions of six important works made by the authors. Doug Bailey’s aim is to change the ways that archaeologists engage with the materials of the past. His montages, films, and performance destructions (such as Releasing the Archive) undermine traditionally unquestioned tenets of archaeological action and of the conservation and preservation of artefacts and ancient remains. In Disrupting Archaeology and Art, Bailey describes his reasoning and methods of making three of his more provocative works. Simon Callery sets out to find new forms and functions for landscape-based painting. His contact paintings, pit paintings and large-scale sculptural work (Trench 10) produced in direct response to archaeological excavations in England and Wales, provoke significant debate over issues of time, image, and materiality. In Disrupting Archaeology and Art, Callery presents detailed accounts of how and why the excavation site has shaped his thinking and ambitions for contemporary painting. This book is a conversation between two iconoclasts, placing a first-hand, makers’ views of the creative process, within a wider dialogue about how artists and archaeologists respond to their shared themes of originality, time, authorship and meaning.

Full Product Details

Author:   Doug Bailey (San Francisco State University, USA) ,  Simon Callery (Independent Scholar, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Academic
Dimensions:   Width: 19.20cm , Height: 1.80cm , Length: 24.80cm
Weight:   0.685kg
ISBN:  

9781350507517


ISBN 10:   1350507512
Pages:   176
Publication Date:   14 May 2026
Audience:   Professional and scholarly ,  General/trade ,  Professional & Vocational ,  General
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   To order   Availability explained

Table of Contents

List of Illustrations Introduction: Moving beyond Existing Art and Archaeology Collaborations 1. Callery Work no. 1: Trench 10 - The Segsbury Project (2003) 2. Authorship: Making Art and Making the Past 3. Bailey Work no. 1: Twenty Minutes Inside Out (2010) 4. Originality and Creativity: How Authentic Innovation Happens 5. Callery Work no. 2: Chromium Oxide Pit Painting – Thames Gateway Project (2009) 6. Time: The Different Visualisations of Artists and Archaeologists 7. Bailey Work no. 2: Which Ruins do we Valorize (2014) 8. Avoiding Meaning: Non-Figurative Painting and Non-Interpretive Archaeologies 9. Callery Work no. 3: Flat Painting Bodfari 14/15 (Bodfari, Wales project) 10. Transforming Disciplines: Changing Art and Disrupting rchaeology 11. Bailey Work no. 3: The Syracuse Amphora Project (2018) 12. Beyond Art and Archaeology: Art/Archaeology and a New Cross-Discipline Notes Bibliography Index

Reviews

""This is a new and stimulating publication not only questioning what archaeology is about but, also how engagement with art can enhance our interpretation of the past and the future."" --Liliana Janik, Associate Professor in Archaeology and Heritage, University of Cambridge, UK ""This is a thought-provoking and inspiring book which presents a passionate case in support of the new cross-disciplinary area of art/archaeology. The authors' arguments are applied to case studies drawn from their own practice and research and drawn extensively on their considerable expertise in the fields of contemporary art, and archaeology. The result is a rich exploration of an exciting subject which challenges us to re-think the past, present, and future of archaeological thought, and which will be a key text for artists, archaeologists, and anyone else interested in exploring art/archaeology."" --Laurent Olivier, General Curator, National Museum of Archaeology, France ""Fascinating, challenging, wonderfully detailed, irreverent, Bailey and Callery open new domains for original modes of engagement, aesthetic experimentation, and imaginative research. The creative provocations that emerge through this exchange and fusion of art and archaeology will surprise, provoke, and inspire. This book is long overdue."" --Christopher Witmore, Professor in Archaeology and Classics, Texas Tech University, USA


Author Information

Doug Bailey is Professor of Visual Archaeology at San Francisco State University, USA. He is the author of Prehistoric Figurines (2005), Unearthed (2010) and Breaking the Surface (2018). He has directed excavations in Bulgaria and Romania, and has curated exhibitions at the International Museum Contemporary Sculpture, Portugal (2020) and Carpintarias Saõ Lázaro, Portugal (2021). He is an established expert in the archaeology of art and the prehistoric archaeology of Europe. Simon Callery is an artist based in London, UK. He has exhibited internationally since the 1990s and has worked alongside field archaeologists since 1996. His work has been shown in the UK at the Saatchi Gallery, Royal Academy of Arts, Tate Britain, and the British Museum. Museum group shows include the following: Brooklyn Museum, New York; Zhejiang Art Museum, Hangzhou; Rudolfinum, Prague; and the Palazzo delle Esposizioni, Rome. Recent solo gallery shows include Lo Brutto Stahl (Paris), Unosunove (Rome), Rafael Perez Hernando (Madrid), and Annex 14 (Zurich).

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