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OverviewKonoe Nobutada (1565-1614) was a famous calligrapher and the head of a high-ranking aristocratic family. Nobutada's contributions to the art and culture of Japan have been frequently overlooked, largely because of the common misperception that aristocrats were too outdated., impoverished and powerless to be worthy of discussion. Dismissed as Elegant Fossils seeks to reinstate aristocrats as key players in the competition for political and artistic supremacy by examining Nobutada's calligraphy and painting, his turbulent relationship with Tokugawa Ieyasu and his family's role in marital politics. In addition, the author suggests that Nobutada, like many members of the Kyoto area elite, had numerous practical reasons to oppose Tokugawa rule and therefore would lend cautious support to any effort to overthrow Ieyasu. Although his role is often downplayed by scholars, the primary threat to leyasu came from Toyotomi Hideyoshi's son Hideyori (1593-1615). Nobutada's concern for the outcome of this power struggle is documented in letters that suggest direct involvement. This, and other details of his biography confirm that Nobutada was much more than a spineless effete who passively allowed warriors to determine the destiny of his family. Full Product DetailsAuthor: Lee Bruschke-JohnsonPublisher: Brill Imprint: Hotei Publishing,The Netherlands Volume: 9 Dimensions: Width: 16.50cm , Height: 2.30cm , Length: 24.50cm Weight: 0.635kg ISBN: 9789074822527ISBN 10: 9074822525 Pages: 256 Publication Date: 01 January 2004 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviewsAuthor InformationLee Bruschke-Johnson Ph.D. (2002) studied at the Universities of Leiden, Kyoto, Kansas and Delaware. She formerly worked in the curatorial departments of the Freer Gallery of Art and Arthur M. Sackler Galleries in Washington DC, and Walters Art Gallery in Baltimore, Maryland and as a consultant for the Rijksmuseum in Amsterdam. In 2002 she successfully defended her doctoral dissertation entitled The Calligrapher Konoe Nobutada: Reassessing the Influence of Aristocrats on the Art and Politics of Early Seventeenth-Century Japan, which has been adapted for this publication. Dr. Bruschke-Johnson currently works as independent scholar in the Netherlands. Tab Content 6Author Website:Countries AvailableAll regions |