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Author:   Tina Frühauf (Adjunct Assistant Professor, Adjunct Assistant Professor, Columbia University, NY) ,  Lily Hirsch (Recent Assistant Professor of Music, Recent Assistant Professor of Music, Cleveland State University, Bakersfield)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.90cm , Height: 3.10cm , Length: 16.30cm
Weight:   0.562kg
ISBN:  

9780199367481

ISBN 10:   0199367485
Pages:   328
Publication Date:   13 November 2014
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"Introduction Tina Frühauf and Lily E. Hirsch Part I: Perceptions of Re-presence 1. Tina Frühauf (Adjunct Assistant Professor at Columbia University/Editor at RILM): A Historiography of Postwar Writings on Jewish Music during the 1930s and 1940s 2. Joel E. Rubin (Assistant Professor of Ethnomusicology and Director of Music at the University of Virginia, Charlottesville): ""With an Open Mind and With Respect"": Klezmer as a Site of the Jewish Fringe in Germany in the Early Twenty-first Century 3. Amy Lynn Wlodarski (Associate Professor of Music at Dickinson College, Carlisle): Musical Memories of Terezín in Transnational Perspective Part II: Dislocated Presence 4. Bret Werb (Music Curator at the United States Holocaust Memorial Museum, Washington DC): ""Vu ahin zol ikh geyn?"": Music Culture of Jewish Displaced Persons 5. Sophie Fetthauer (Research Fellow, Universität Hamburg), The Katset-Teater and the Development of Yiddish Theater in the DP Camp Bergen-Belsen 6. Joshua S. Walden (Faculty of Musicology, Peabody Conservatory of The Johns Hopkins University): ""Driven from Their Home"": Jewish Displacement and Musical Memory in the 1948 Movie Long Is the Road Part III: Politics of Memory 7. Barbara Milewski (Associate Professor of Music at Swarthmore College), Remembering the Concentration Camps: Aleksander Kulisiewicz and his Concerts of Prisoners' Songs in the Federal Republic of Germany 8. David Shneer (Louis P. Singer Professor of Jewish History at the University of Colorado, Boulder), Eberhard Rebling, Lin Jaldati, and Yiddish Music in East Germany, 1949-1962 9. Joy H. Calico (Associate Professor of Musicology at Vanderbilt University, Nashville): Jewishness and Antifascism: Schoenberg's A Survivor from Warsaw in East Germany (1958) Part IV: Modes of Commemoration 10. Florian Scheding (Lecturer in Music at Bristol University), Where is the Holocaust in All of This? György Ligeti and the Dialectics of Life and Work 11. Sabine Feisst (Associate Professor of Music History and Literature at Arizona State University, Tempe): Re-Presence of Jewishness in German Music Commemorating the Holocaust since the 1980s: Three Case Studies 12. Lily E. Hirsch (Independent Scholar, Bakersfield, CA): Germany's Commemoration of the Jüdischer Kulturbund Afterword Philip V. Bohlman (Mary Werkman Distinguished Service Professor of Music and the Humanities at the University of Chicago/Honorarprofessor at the Hochschule für Musik und Theater in Hannover)"

Reviews

Winner of the 2015 Ruth A. Solie Award from the American Musicological Society Including fresh, original, well-written, and substantive research by scholars in music, history, and Jewish studies, this volume contributes to the attempted reconstruction of a transnational, multilingual, diverse cultured Jewish musical praxis of the German-Jewish encounter. Highly Recommended. --Choice

Including fresh, original, well-written, and substantive research by scholars in music, history, and Jewish studies, this volume contributes to the attempted reconstruction of a transnational, multilingual, diverse cultured Jewish musical praxis of the German-Jewish encounter. Highly Recommended. --Choice

Winner of the 2015 Ruth A. Solie Award from the American Musicological Society Including fresh, original, well-written, and substantive research by scholars in music, history, and Jewish studies, this volume contributes to the attempted reconstruction of a transnational, multilingual, diverse cultured Jewish musical praxis of the German-Jewish encounter. Highly Recommended. --Choice

Author Information

Dr. Tina Frühauf is teaching at Columbia University and is Content Acquisitions Director atépertoire International de Littérature Musicalein New York. She has received numerous fellowships and grants, most recently from the American Musicological Society, the Leo Baeck Institute, and the Memorial Foundation for Jewish Culture. Dr. Frühauf has published articles inThe Musical Quarterly, Musica Judaica, andTDR: The Drama Review, and contributed numerous book chapters on the German Jewish music culture. She is the author ofThe Organ and Its Music in German-Jewish Cultureeditor ofAn Anthology of German-Jewish Organ Music. Dr. Frühauf is currently completing research for a monograph on music in the Jewish communities of Germany after 1945. Dr. Lily E. Hirsch is an independent scholar. She was previously Assistant Professor of Music at Cleveland State University. She is author of the booksA Jewish Orchestra in Nazi Germany: Musical Politics and the Berlin Jewish Culture LeagueMusic in American Crime Prevention and Punishment. Her research has also appeared in Rethinking Schumann,Musical Quarterly,Philomusica, theJournal of Popular Music Studies,American Music, andPopular Music & Society.

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