Discrepant Solace: Contemporary Literature and the Work of Consolation

Author:   David James (Professor of Modern and Contemporary Literature, Professor of Modern and Contemporary Literature, University of Birmingham)
Publisher:   Oxford University Press
ISBN:  

9780198985914


Pages:   288
Publication Date:   04 September 2025
Format:   Paperback
Availability:   To order   Availability explained
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Discrepant Solace: Contemporary Literature and the Work of Consolation


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Full Product Details

Author:   David James (Professor of Modern and Contemporary Literature, Professor of Modern and Contemporary Literature, University of Birmingham)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 15.50cm , Height: 1.80cm , Length: 23.50cm
Weight:   0.440kg
ISBN:  

9780198985914


ISBN 10:   0198985916
Pages:   288
Publication Date:   04 September 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Reviews

In the face of illness, grief, trauma, catastrophe -- why write? Can consolation be found in works that seem to be about inconsolability? These are the urgent questions that propel David James' remarkable study of twenty-first century narrative fiction and memoir. The answers that James provides do full justice to the emotional depth as well as the analytic complexity of a body of contemporary writing that ranges from Kazuo Ishiguro to J.M. Coetzee, from W.G. Sebald to Joan Didion, from Marilynne Robinson to David Grossman... This is a book that skillfully and rewardingly attends to the micro-effects of prosody, while forging a new direction for the critical understanding of elegy, grief writing, trauma studies and post-modern fiction. * Dorothy Hale, University of California, Berkeley * David James challenges the association of aesthetic consolation with distraction and comfort, showing instead how contemporary literature provides solace through the detailed description of loss and devastation. Discrepant Solace not only analyzes this paradox but instantiates it. In addressing the ethics of representing bleak experience, James has written a work of criticism that is not only intellectually challenging but also beautiful and deeply moving. * Heather Love, University of Pennsylvania * To console us is one of the oldest tasks of literature, but it is also, of late, one of the most neglected. Literature should challenge us, estrange us, beguile us, but very few make the case that it should make us feel better. David James' brilliantly subtle and poetically attentive book responds to this critical lacuna, by offering a new way of understanding how today's literature consoles. There is nothing sentimental about this book -- James does not offer a cosy picture of the redemptive qualities of the literary imagination; rather he addresses some of the contemporary writers whose work is most difficult, most uncompromising. But in doing so, he produces a startlingly original way of thinking about how the beauty of style overcomes some of the deprivations it witnesses, an account of the reparations of literary form that will have a transformative effect on how we think about the contemporary novel. * Peter Boxall, University of Sussex * Dazzling analyses ... are on display in every chapter of Discrepant Solace. It honestly contains some of the best close reading being done on contemporary literature right now. ... The individual readings are exquisite. Even in its failure, it turns out, consolation does mobilize stylistic ingenuities that fully repay the careful scrutiny to which James subjects them. * Timothy Aubry, NOVEL: A Forum on Fiction *


Author Information

David James is Professor of Modern and Contemporary Literature at the University of Birmingham. Among his other books are Sentimental Activism (2026) and Modernist Futures (2012), along with edited volumes such as Modernism and Close Reading (2020), The Cambridge Companion to British Fiction since 1945 (2015), and The Legacies of Modernism (2012). He is an editor at Contemporary Literature and is founding co-editor of the Columbia University Press series Literature Now.

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