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Focusing mainly on the comedia, reviews counter-epic literary representations as discursive mediations questioning dominant ideologies, ways in which counter-epic texts contest imperialist practice and provide insights into the heterogeneity of early modern society. Carmen Peraita, Year s Work in Modern Language Studies

Focusing mainly on the comedia, reviews counter-epic literary representations as discursive mediations questioning dominant ideologies, ways in which counter-epic texts contest imperialist practice and provide insights into the heterogeneity of early modern society. --Carmen Peraita, Year's Work in Modern Language Studies

Focusing mainly on the comedia, reviews counter-epic literary representations as discursive mediations questioning dominant ideologies, ways in which counter-epic texts contest imperialist practice and provide insights into the heterogeneity of early modern society. -Carmen Peraita, Year's Work in Modern Language Studies One must applaud the ambitious and far-reaching goals of the study. It is highly suggestive and engaging, with its own rather baroque discourse. -E.H. Friedman, Choice

One must applaud the ambitious and far-reaching goals of the study. It is highly suggestive and engaging, with its own rather baroque discourse. --E.H. Friedman, Choice Focusing mainly on the comedia, reviews counter-epic literary representations as discursive mediations questioning dominant ideologies, ways in which counter-epic texts contest imperialist practice and provide insights into the heterogeneity of early modern society. --Carmen Peraita, Year's Work in Modern Language Studies

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Barbara Simerka is Assistant Professor of Hispanic Studies at Queens College, CUNY. She is co-editor, with Christopher B. Weimer, of Echoes and Inscriptions: Comparative Approaches to Early Modern Spanish Literatures (2000) and editor of El arte nuevo de estudiar comedias: Literary Theory and Golden Age Spanish Drama (1996).

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