Full Product Details
Author: P. Kuppers
Publisher: Palgrave Macmillan
Imprint: Palgrave Macmillan
Dimensions:
Width: 15.20cm
, Height: 2.20cm
, Length: 22.90cm
Weight: 0.575kg
ISBN: 9780230298279
ISBN 10: 0230298273
Pages: 282
Publication Date: 12 July 2011
Audience:
College/higher education
,
Professional and scholarly
,
Postgraduate, Research & Scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: In Print
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Reviews
'In this book, Petra Kuppers - one of the most dynamic thinkers in the field of disability culture, disability arts and community arts today - provides a rigourous, sophisticated and strikingly poetic series of mediations on the processes, pleasures and challenges of working in this field. Drawing on examples of the way her own arts based investigations have evolved across a variety of sites, contexts and countries over the past decade, Kuppers positions disability culture as a continual process of negotiation in which people experiment with new ways of relating to the languages, cultures and histories that frame and inform their experiences. Emphasising the need to access the feelings, flows and energies that exist within and between dominant formations of community, Kuppers advocates for a rhizomatic model of practice in which personal, cultural and political histories come together in singular, specific and provisional ways to allow new formations - albeit at times fleetingly - to emerge. Thoughtful, thought-provoking and accessible, this book will be of compelling interest not just to scholars of disability culture, but to a whole new generation of scholars looking to use arts practice as a laboratory in which identity, community and culture can be creatively re-imaged and re-imagined. ' - Bree Hadley, Senior Lecturer in Performance Studies, Queensland University of Technology, Australia
'In this book, Petra Kuppers -- one of the most dynamic thinkers in the field of disability culture, disability arts and community arts today -- provides a rigourous, sophisticated and strikingly poetic series of mediations on the processes, pleasures and challenges of working in this field. Drawing on examples of the way her own arts based investigations have evolved across a variety of sites, contexts and countries over the past decade, Kuppers positions disability culture as a continual process of negotiation in which people experiment with new ways of relating to the languages, cultures and histories that frame and inform their experiences. Emphasising the need to access the feelings, flows and energies that exist within and between dominant formations of community, Kuppers advocates for a rhizomatic model of practice in which personal, cultural and political histories come together in singular, specific and provisional ways to allow new formations -- albeit at times fleetingly -- to emerge. Thoughtful, thought-provoking and accessible, this book will be of compelling interest not just to scholars of disability culture, but to a whole new generation of scholars looking to use arts practice as a laboratory in which identity, community and culture can be creatively re-imaged and re-imagined. ' - Bree Hadley, Senior Lecturer in Performance Studies, Queensland University of Technology, Australia
'In this book, Petra Kuppers one of the most dynamic thinkers in the field of disability culture, disability arts and community arts today provides a rigourous, sophisticated and strikingly poetic series of mediations on the processes, pleasures and challenges of working in this field. Drawing on examples of the way her own arts based investigations have evolved across a variety of sites, contexts and countries over the past decade, Kuppers positions disability culture as a continual process of negotiation in which people experiment with new ways of relating to the languages, cultures and histories that frame and inform their experiences. Emphasising the need to access the feelings, flows and energies that exist within and between dominant formations of community, Kuppers advocates for a rhizomatic model of practice in which personal, cultural and political histories come together in singular, specific and provisional ways to allow new formations albeit at times fleetingly to emerge. Thoughtful, thought-provoking and accessible, this book will be of compelling interest not just to scholars of disability culture, but to a whole new generation of scholars looking to use arts practice as a laboratory in which identity, community and culture can be creatively re-imaged and re-imagined. ' - Bree Hadley, Senior Lecturer in Performance Studies, Queensland University of Technology, Australia
Author Information
Petra Kuppers is Artistic Director of The Olimpias, and she teaches in Performance Studies at the University of Michigan, USA. Her previous books include Disability and Contemporary Performance: Bodies on Edge (2003), The Scar of Visibility: Medical Performances and Contemporary Art (2007), Community Performance: An Introduction (2007).
