Digital War: A Critical Introduction

Author:   William Merrin (Swansea University, UK)
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138899872


Pages:   308
Publication Date:   24 July 2018
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Digital War: A Critical Introduction


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Full Product Details

Author:   William Merrin (Swansea University, UK)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.582kg
ISBN:  

9781138899872


ISBN 10:   1138899879
Pages:   308
Publication Date:   24 July 2018
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Timeline Introduction: A New Field 1. Top-Down War: Televising Conflict in the 1990s 2. Non-War and Virtual War: Theorizing Conflict in the 1990s 3. Informational and Networked War: Remaking Conflict in the 1990s 4. The War on Terror: Reporting 9/11 and Afghanistan 5. Shock and Awe: Reporting the Iraq War 6. From Abu Ghraib to Facebook: The End of Military Informational Control 7. Transparent War: Wikileaks And The War Logs 8. Drone War: Telepresent Assassination 9. Ambient War: Cyberwar Everywhere 10. #ParticipativeWar: Social Media in Gaza and Syria 11. Viral War: Islamic State’s Digital Terror 12. Augmented War: Wearables, Phones, Soldier-Systems, AR, Simulations, Sensors, Exo-Skeletons and BCI 13. Algorithmic War: The A.I. and Robotic RMA Conclusion: The Clouds of War

Reviews

'There is no longer war, there is only digital war. Merrin convincingly implicates an astonishing array of actors as participant in contemporary conflicts: this is war without bystanders. And in an era in which hacking, drones, robotics, artificial intelligence, trolls and bots have destabilised the already shaky concept of war, Merrin brings urgently needed order, clarity and vision. His analysis is sharp, compelling and refreshingly uncluttered. Students and scholars of Politics, IR, Media, Communication, Journalism, War and Security Studies now have a fabulous core text, but historians of contemporary warfare will also embrace this new guide for its bold imaginary, its vivid narration. Some will resist Digital War, for visionaries tend to upset the canon. But after Merrin, the field of war and media is renamed, reimagined, revitalised.'--Andrew Hoskins, University of Glasgow ‘Within the span of roughly two decades, we have seen remarkable transformations in how wars are fought and how global publics watch these wars. William Merrin provides an excellent guide to this evolution, analyzing topics ranging from expanded concepts of ""journalism"" to newly created battlefield robotics. Academics, policymakers, and the broader public face a daunting task in keeping up with the changing dynamics of conflict. Merrin understands this and helps us keep pace. Digital War is the right book at the right time.’--Philip Seib,University of Southern California, USA 'Merrin has redefined the field of war and media. He connects traditional concerns about leaks, legitimacy and propaganda to the wearables, drones and robots through which war is now waged. The result is war perceived as if through fractals -- never-ending patterns of complexity and recursion, where the origin, cause or effect is never quite visible. Merrin's fascinating story takes us from war fought through top-down information control in the 1990s to today's participatory wars. But the fog of war is not lifted. Merrin explains how the information glut of participatory war keeps us in the dark. War continues to bring death and suffering, but our perception of that reality is more fragmented and cloudy than ever.'--Ben O'Loughlin, Royal Holloway, University of London


'There is no longer war, there is only digital war. Merrin convincingly implicates an astonishing array of actors as participant in contemporary conflicts: this is war without bystanders. And in an era in which hacking, drones, robotics, artificial intelligence, trolls and bots have destabilised the already shaky concept of war, Merrin brings urgently needed order, clarity and vision. His analysis is sharp, compelling and refreshingly uncluttered. Students and scholars of Politics, IR, Media, Communication, Journalism, War and Security Studies now have a fabulous core text, but historians of contemporary warfare will also embrace this new guide for its bold imaginary, its vivid narration. Some will resist Digital War, for visionaries tend to upset the canon. But after Merrin, the field of war and media is renamed, reimagined, revitalised.'--Andrew Hoskins, University of Glasgow `Within the span of roughly two decades, we have seen remarkable transformations in how wars are fought and how global publics watch these wars. William Merrin provides an excellent guide to this evolution, analyzing topics ranging from expanded concepts of journalism to newly created battlefield robotics. Academics, policymakers, and the broader public face a daunting task in keeping up with the changing dynamics of conflict. Merrin understands this and helps us keep pace. Digital War is the right book at the right time.'--Philip Seib,University of Southern California, USA


'There is no longer war, there is only digital war. Merrin convincingly implicates an astonishing array of actors as participant in contemporary conflicts: this is war without bystanders. And in an era in which hacking, drones, robotics, artificial intelligence, trolls and bots have destabilised the already shaky concept of war, Merrin brings urgently needed order, clarity and vision. His analysis is sharp, compelling and refreshingly uncluttered. Students and scholars of Politics, IR, Media, Communication, Journalism, War and Security Studies now have a fabulous core text, but historians of contemporary warfare will also embrace this new guide for its bold imaginary, its vivid narration. Some will resist Digital War, for visionaries tend to upset the canon. But after Merrin, the field of war and media is renamed, reimagined, revitalised.'--Andrew Hoskins, University of Glasgow 'Within the span of roughly two decades, we have seen remarkable transformations in how wars are fought and how global publics watch these wars. William Merrin provides an excellent guide to this evolution, analyzing topics ranging from expanded concepts of journalism to newly created battlefield robotics. Academics, policymakers, and the broader public face a daunting task in keeping up with the changing dynamics of conflict. Merrin understands this and helps us keep pace. Digital War is the right book at the right time.'--Philip Seib,University of Southern California, USA 'Merrin has redefined the field of war and media. He connects traditional concerns about leaks, legitimacy and propaganda to the wearables, drones and robots through which war is now waged. The result is war perceived as if through fractals -- never-ending patterns of complexity and recursion, where the origin, cause or effect is never quite visible. Merrin's fascinating story takes us from war fought through top-down information control in the 1990s to today's participatory wars. But the fog of war is not lifted. Merrin explains how the information glut of participatory war keeps us in the dark. War continues to bring death and suffering, but our perception of that reality is more fragmented and cloudy than ever.'--Ben O'Loughlin, Royal Holloway, University of London


Author Information

William Merrin is Associate Professor in Media and Communication at Swansea University, UK. He is the author of Media Studies 2.0 (Routledge, 2014) and Baudrillard and the Media (2005).

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