Digital Vision and the Ecological Aesthetic (1968 - 2018)
Author:   Dr Lisa FitzGerald (Ludwig-Maximilians University Munich, Germany) ,  Greg Garrard (University of British Columbia Canada) ,  Richard Kerridge
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350051836


Pages:   176
Publication Date:   10 December 2020
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Digital Vision and the Ecological Aesthetic (1968 - 2018)


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Overview

Digital technology has transformed the way that we visualise the natural world, the art we create and the stories we tell about our environments. Exploring contemporary digital art and literature through an ecocritical lens, Digital Vision and the Ecological Aesthetic (1968 - 2018) demonstrates the many ways in which critical ideas of the sublime, the pastoral and the picturesque have been renewed and shaped in digital media, from electronic literature to music and the visual arts. The book goes on to explore the ecological implications of these new forms of cultural representation in the digital age and in so doing makes a profound contribution to our understanding of digital art practice in the 21st century.

Full Product Details

Author:   Dr Lisa FitzGerald (Ludwig-Maximilians University Munich, Germany) ,  Greg Garrard (University of British Columbia Canada) ,  Richard Kerridge
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Academic
Weight:   0.426kg
ISBN:  

9781350051836


ISBN 10:   1350051837
Pages:   176
Publication Date:   10 December 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgements List of Illustrations Introduction Technology, Relationality and the Eco-Digital Aesthetic Chapter 1 Generative Aesthetics: The Emerging Visual Language of Eco-Digital Art Chapter 2 Synthetic Landscapes, Google Street View and Other-than-Human Agency Chapter 3 Natura Naturans: Immersion, Gardening, and Natural Systems Design Chapter 4 DIY: Biomimetics, Robotics and the Glitch Aesthetic Chapter 5 Coding Climate Change: Petro-Cultures in Digitally-Simulated Environments Conclusion Biophilia and the parameters of Eco-Digital Art Work Cited Index

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Author Information

Lisa FitzGerald is an associate researcher at the the CRBC Rennes, Université Rennes 2, France

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