Digital Literary Redlining: African American Anthologies, Digital Humanities, and the Canon

Author:   Amy E. Earhart
Publisher:   Stanford University Press
Edition:   New edition
ISBN:  

9781503635340


Pages:   277
Publication Date:   24 June 2025
Format:   Hardback
Availability:   In Print   Availability explained
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Digital Literary Redlining: African American Anthologies, Digital Humanities, and the Canon


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Author:   Amy E. Earhart
Publisher:   Stanford University Press
Imprint:   Stanford University Press
Edition:   New edition
ISBN:  

9781503635340


ISBN 10:   1503635341
Pages:   277
Publication Date:   24 June 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgments 1. The Canon Wars Are Not Dead:Infrastructures of Digital Literary Studies 2. Can a Computer Be Racist? Digital Literary Redlining and the Database 3. Coding the Canon: Authorship, Identity, and Gender in the Database Column 4. Are the Results Useful? Exploring Black Literary History with DALA 5. Conclusion: Carework and Black Digital Literary Studies Appendix 1: Further Digital Resources Appendix 2: Anthologies Included in The Database of African American and Predominantly White American Literature Anthologies (DALA Notes Bibliography Index

Reviews

""In Digital Literary Redlining, Earhart fuses African American literary studies and the digital humanities, highlighting how data-driven approaches can reshape our understanding of literary history. Earhart uncovers fresh perspectives on the processes that have influenced canon formation."" —Howard Rambsy II, Southern Illinois University Edwardsville


Author Information

Amy E. Earhart is Associate Professor, Department of English, Texas A&M University and author of Traces of the Old, Uses of the New: The Emergence of the Digital Literary Studies

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