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OverviewCan there even be an applied ethics of digital images? What content could such a normative ethics have? And finally: What is the relationship between ethics and the law of digital images? This book collects contributions of an interdisciplinary German-Italian conference in the Villa Vigoni funded by the DFG to explore the ethical questions raised by digital images. Full Product DetailsAuthor: Dr Thomas Dreier (Information Society at the Karlsruhe Institute of Technology (KIT), Germany) , Tiziana Andina (University of Turin, Italy)Publisher: Bloomsbury Publishing PLC Imprint: Nomos/Hart ISBN: 9781509964147ISBN 10: 1509964142 Pages: 432 Publication Date: 28 July 2022 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsPart 1 From Drawings to Deep Fakes – Some Introductory Remarks Chapter 1 Images, Technology, Ethics and Law – An Intricate Relationship Thomas Dreier/Tiziana Andina Chapter 2 From Goethe’s Italian Journey to Transalpine Online Navigation – Narrative Changes and Transnational Stereotypes Werner Gephart Part 2 Ethical Foundations Chapter 3 Digital Image Ethics – How it Could be Pursued and What It Might Have to Say Reinold Schmücker Chapter 4 Form and Norm in Pictures Enrico Terrone Part 3 Images, Art and Society Chapter 5 Who Cares About Privacy? – The Documedia Surplus Value Maurizio Ferraris Chapter 6 Immersive Artistic Forms – What They Are and How to Identify Them Davide Dal Sasso Chapter 7 From Works to Living Means of Communication – The Digital Image and the ‘Iconic Turn’ Wolfgang Ullrich Chapter 8 Fairness Aspects of Techniques of Referencing Cultures Eva-Maria Bauer Chapter 9 Towards a New Ethic: Building Transgenerationality – Digital Images to Orient the Future Tiziana Andina Chapter 10 Iconoclasm and Iconoclash – The Digital Restoration of the Movement-Image Cosetta Saba Part 4 Binary Encoding, Artificial Intelligence and the Dissolution of the Visual Object Chapter 11 Semioethics of the Visual Fake Massimo Leone Chapter 12 From Copy & Paste to Deep Fakes – Digital Collaging and Image Manipulation Olivia Hägle Chapter 13 The Multi-Layered Information in a Digital Image Benjamin Raue Chapter 14 Portrait or Personal Data – The Rivalry of Image and Data Protection Legislation Lorenz Müller-Tamm Chapter 15 Human Authorship and Art Created by Artificial Intelligence – Where Do We Stand? Gianmaria Ajani Part 5 Technology, Ethics and Legal Norms Chapter 16 A Face in the Cloud? – Identifying Moral Issues and Constraints in Cloud-Based Image Storage Wybo Houkes Chapter 17 The Deontic Power of the Internet – Access Controls and the Obsolescence of Legal Norms Thomas Dreier Chapter 18 Algorithmic Censorship of Online Visual Content – Ethical, Political, and Economic Rationales Eberhard Ortland Chapter 19 The Issue of the Image of Algorithms Lisa Käde Part 6 Ethics and Fundamental Rights Chapter 20 The Constitutional Protection of Images Johannes Eichenhofer Chapter 21 Contemporary Art on Trial – The Fundamental Right to Free Artistic Expression and the Regulation of the Use of Images by Copyright Law Christophe GeigerReviewsAuthor InformationThomas Dreier is Professor of Civil Law and Questions of the Information Society at the Karlsruhe Institute of Technology (KIT), Germany. Tiziana Andina is Full Professor of Philosophy at the University of Turin, Italy. Tab Content 6Author Website:Countries AvailableAll regions |