Digital Compositing with Nuke
Author:   Lee Lanier (Visual Effects Artist, USA)
Publisher:   Taylor & Francis Ltd
ISBN:  

9780240820354


Pages:   360
Publication Date:   10 July 2012
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Digital Compositing with Nuke


Overview

Full Product Details

Author:   Lee Lanier (Visual Effects Artist, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Focal Press
Dimensions:   Width: 18.90cm , Height: 2.00cm , Length: 24.60cm
Weight:   0.670kg
ISBN:  

9780240820354


ISBN 10:   0240820355
Pages:   360
Publication Date:   10 July 2012
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Chapter 1: The Nuke Interface Chapter 2: Transforming and Keyframing Chapter 3: Bit Depths, Color Spaces, and Color Grading Chapter 4: Alpha Mattes, Merging, and Rotoscoping Chapter 5: Keying Chapter 6: Manipulating Channels and Matching Artifacts Chapter 7: Time Warping and Image Distortion Chapter 8: Motion Tracking Chapter 9: Working with 2.5D, 3D, and Stereoscopic 3D Chapter 10: Optimization, Scripting, and New Techniques Appendix A: Shake/After Effects to Nuke Conversion Chart Appendix B: Working with Interlacing, Pulldown, and Rolling Shutters Index

Reviews

"""There really is Nuke and nothing else. Other products out there are dying or don't have a future. Nuke is really moving forward in a changing industry.""--Lindsay Adams, lead compositor, Animal Logic, Sydney, Australia"


There really is Nuke and nothing else. Other products out there are dying or don't have a future. Nuke is really moving forward in a changing industry. --Lindsay Adams, lead compositor, Animal Logic, Sydney, Australia


Author Information

visual effects/animation veteran of over 20 years. Formerly a senior animator at PDI/Dreamworks for Antz and the original Shrek, his other credits include Ace Ventura, James and the Giant Peach, and Escape from LA. Over the last decade, he has taught at several Academy of Art Universities as well as the Gnomon School of Visual Effects.

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