Diffracting Digital Images: Archaeology, Art Practice and Cultural Heritage

Author:   Ian Dawson (Winchester School of Art, UK.) ,  Andrew Meirion Jones (Stockholm University, Sweden.) ,  Louisa Minkin (University of the Arts, London.) ,  Paul Reilly (University of Southampton, UK.)
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367486556


Pages:   208
Publication Date:   28 December 2021
Format:   Hardback
Availability:   In Print   Availability explained
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Diffracting Digital Images: Archaeology, Art Practice and Cultural Heritage


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Author:   Ian Dawson (Winchester School of Art, UK.) ,  Andrew Meirion Jones (Stockholm University, Sweden.) ,  Louisa Minkin (University of the Arts, London.) ,  Paul Reilly (University of Southampton, UK.)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367486556


ISBN 10:   0367486555
Pages:   208
Publication Date:   28 December 2021
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Ian Dawson has exhibited worldwide and lectures at Winchester School of Art. His background in sculpture (Making Contemporary Sculpture, Crowood Press, 2012) has led to research focusing on the intersection between 3D additive processes and digital imaging technologies. He has recently collaborated with the Compound 13 Lab to explore 3D printing and plastic recycling in Dharavi, Mumbai, India (2020). Andrew Meirion Jones is Professor of Archaeology, Department of Archaeology and Classics, Stockholm University, Sweden. His research interests include the archaeology of Stone Age Europe, art and material culture, and digital imaging. He is currently working on the Concepts Have Teeth project with Ian Dawson and Louisa Minkin. Louisa Minkin is Reader in Visual Art Practices, University of the Arts, London; and Course Leader for MA Fine Art at Central Saint Martins. She is Principal Investigator on the AHRC networking project Concepts Have Teeth and Teeth that Bite through Time: digital imaging and Blackfoot material culture in UK museums. Paul Reilly is Senior Research Fellow of Digital Archaeology, Department of Archaeology, University of Southampton, UK. His research interests include creative digital archaeology and art/archaeology. His most recent research explores the theoretical implications of the growing intersection of physical and digital (or phygital), practices for art, archaeology, and cultural heritage.

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