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OverviewFull Product DetailsAuthor: Moira Roth , Jonathan D KatzPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.20cm , Height: 2.10cm , Length: 22.90cm Weight: 0.530kg ISBN: 9789057012518ISBN 10: 9057012510 Pages: 202 Publication Date: 20 October 1998 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsChapter 1 Introduction, Moira Roth; partone Essays by Roth, 1977, and Commentary by Katz, 1998; Chapter 2 Marcel Duchamp in America, Moira Roth; Chapter 3 The Aesthetic of Indifference, Moira Roth; Chapter 4 Identification, Jonathan D Katz; parttwo Interviews by Roth About Marcel Duchamp, 1973; Chapter 5 John Cage on Marcel Duchamp, Moira Roth, William Roth; Chapter 6 Robert Smithson on Duchamp, Moira Roth; Chapter 7 Interview with Vito Acconci, Moira Roth; Chapter 8 Interview With George Segai, Moira Roth; partthree Essays and Performance Texts by Roth, 1991–1995, Commentary by Katz, 1998; Chapter 9 The Voice of Shigeko Kubota (Excerpts), Moira Roth; Chapter 10 talking back, moira roth; Chapter 11 five stories about st. john,, Moira Roth; Chapter 12 Difference, Jonathan A katz;ReviewsMoira Roth is a legendary art historian whose writings on the unconventional lives and difficult art of Marcel Duchamp and John Cage are models of critical accessibility. Writing in an engagingly personal diaristic style, these classic essays are collected in Difference/Indiffrence. -Publishers Weekly The core of the book is provided by her two very influential and much cited essays of the 70's, Marcel Duchamp in America: A Self Ready-Made and The Aesthetic of Indifference, amplified by a series of interviews Roth conducted -- she is a virtuoso of the interview form....These talks both nuance our picture of Duchamp himself and trace the ripple effect of his work and persona upon American art in the third quarter of the 20th century. They are followed by a more personal section in which Roth in effect interviews herself, reflecting-from the distance of the present-upon her own bittersweet tale of engagement/disengagement with the Duchamp phenomenon. -Sheldon Nodelman of Art in America Moira Roth is a legendary art historian whose writings on the unconventional lives and difficult art of Marcel Duchamp and John Cage are models of critical accessibility. Writing in an engagingly personal diaristic style, these classic essays are collected in Difference/Indiffrence. -Publishers Weekly The core of the book is provided by her two very influential and much cited essays of the 70's, Marcel Duchamp in America: A Self Ready-Made and The Aesthetic of Indifference, amplified by a series of interviews Roth conducted -- she is a virtuoso of the interview form....These talks both nuance our picture of Duchamp himself and trace the ripple effect of his work and persona upon American art in the third quarter of the 20th century. They are followed by a more personal section in which Roth in effect interviews herself, reflecting-from the distance of the present-upon her own bittersweet tale of engagement/disengagement with the Duchamp phenomenon. -Sheldon Nodelman of Art in America Moira Roth is a legendary art historian whose writings on the unconventional lives and difficult art of Marcel Duchamp and John Cage are models of critical accessibility. Writing in an engagingly personal diaristic style, these classic essays are collected in Difference/Indiffrence. <br>-Publishers Weekly <br> The core of the book is provided by her two very influential and much cited essays of the 70's, Marcel Duchamp in America: A Self Ready-Made and The Aesthetic of Indifference, amplified by a series of interviews Roth conducted -- she is a virtuoso of the interview form....These talks both nuance our picture of Duchamp himself and trace the ripple effect of his work and persona upon American art in the third quarter of the 20th century. They are followed by a more personal section in which Roth in effect interviews herself, reflecting-from the distance of the present-upon her own bittersweet tale of engagement/disengagement with the Duchamp phenomenon. <br>-Sheldon Nodelman of Art in America <br> Author InformationMoira Roth, Jonathan D. Katz Tab Content 6Author Website:Countries AvailableAll regions |