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German-english edition The epochal term "" New Objectivity"" became synonymous with the cultural awakening of the 92 s, and with the rationalism and objective precision to be observed in art as well as architecture, design, photography and literature at that time. In 925, Gustav F. Hartlaub coined the term with an exhibition of the same name. years later, the exhibition shown then at Kunsthalle Mannheim will be scrutinized critically and reconstructed digitally. In addition to works by key artistic figures such as Max Beckmann, Otto Dix and George Grosz, the new exhibition will also present overlooked positions, especially those of female artists such as Anita Rée and Lotte Laserstein. The scope will also be extended topographically, e.g. to Switzerland and Italy, as well as chronologically, to the 93 s and early 94 s. The publication promises visual immersion in a formative stylistic epoch and will provide insights into the current state of research on key questions of New Objectivity. Look inside New Objectivity - a panorama of the 92 s and 93 s An era rediscovered: female positions and forgotten artists, highlighting people, motifs and themes Exhibition: Kunsthalle Mannheim, 22. .2 24 - 9.3.2 25

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9783422802506

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Mit Beiträgen von Jelle Bouwhuis, James A. van Dyke, Inge Herold, Henning Lobin, Olaf Peters, Gunnar Saecker, Sebastian Schneider, Harald Stockert / Anja Gillen, Claude W. Sui, Christoph Vögele With contributions by Jelle Bouwhuis, James A. van Dyke, Inge Herold, Henning Lobin, Olaf Peters, Gunnar Saecker, Sebastian Schneider, Harald Stockert / Anja Gillen, Claude W. Sui, Christoph Vögele

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