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9781526149268

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'Larsson's book is a wonderful entree into the complexities of [Didi-Huberman's] discourse, and its legibility is a testament to the author, who has ordered and presented Didi-Huberman's often dazzling agenda for art history today.' Giles Fielke, Australian and New Zealand Journal of Art 'Given the fact that Didi-Huberman has written over fifty books in a career spanning four decades and that he is one of the most well-known French theorists of images, such a study is long overdue... scholars studying his work now have a well-researched and very helpful monograph to help them find their way through the labyrinthine oeuvre of Didi-Huberman.' Stijn De Cauwer, CAA Reviews -- .

'Larsson’s book is a wonderful entrée into the complexities of [Didi-Huberman's] discourse, and its legibility is a testament to the author, who has ordered and presented Didi-Huberman’s often dazzling agenda for art history today.' Giles Fielke, Australian and New Zealand Journal of Art 'Given the fact that Didi-Huberman has written over fifty books in a career spanning four decades and that he is one of the most well-known French theorists of images, such a study is long overdue... scholars studying his work now have a well-researched and very helpful monograph to help them find their way through the labyrinthine oeuvre of Didi-Huberman.' Stijn De Cauwer, CAA Reviews -- .

Author Information

Chari Larsson is Lecturer in Art History at the Queensland College of Art, Griffith University.

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