Overview
Throughout medieval Europe, male and female religious communities attached to churches, abbeys, and schools participated in devotional music making outside of the chanted liturgy. Newly collating over 400 songs from primary sources, this book reveals the role of Latin refrains and refrain songs in the musical lives of religious communities by employing novel interdisciplinary and analytical approaches to the study of medieval song. Through interpretive frameworks focused on time and temporality, performance, memory, inscription, and language, each chapter offers an original perspective on how refrains were created, transmitted, and performed. Arguing for the Latin refrain's significance as a marker of form and meaning, this book identifies it as a tool that communities used to negotiate their lived experiences of liturgical and calendrical time; to confirm their communal identity and belonging to song communities; and to navigate relationships between Latin and vernacular song and dance that emerge within their multilingual contexts.
Full Product Details
Author: Mary Channen Caldwell (University of Pennsylvania)
Publisher: Cambridge University Press
Imprint: Cambridge University Press
Edition: New edition
Dimensions:
Width: 17.50cm
, Height: 2.20cm
, Length: 25.10cm
Weight: 0.709kg
ISBN: 9781316517192
ISBN 10: 1316517195
Pages: 320
Publication Date: 31 March 2022
Audience:
College/higher education
,
Tertiary & Higher Education
Format: Hardback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
What does the medieval refrain do in Latin song?, asks Mary Channen Caldwell at the opening of her engaging new study. A very great deal, as it turns out. Throughout Divine Refrains, she argues for refrains as carrying multivalent musical and cultural meanings, beautifully demonstrating their often overlapping devotional, temporal, structural, and performative implications. Rachel May Golden, University of Tennessee
'What does the medieval refrain do in Latin song?, asks Mary Channen Caldwell at the opening of her engaging new study. A very great deal, as it turns out. Throughout Devotional Refrains, she argues for refrains as carrying multivalent musical and cultural meanings, beautifully demonstrating their often overlapping devotional, temporal, structural, and performative implications.' Rachel May Golden, University of Tennessee
Author Information
Mary Channen Caldwell is Assistant Professor of Music at the University of Pennsylvania. Her research, which focuses on medieval song, liturgy, pedagogy, and intertextuality, has been published in the Journal of the American Musicological Society, Music & Letters, the Journal of the Royal Musical Association, Plainsong & Medieval Music, and Early Music History.
