Deviant Cinema: A history of Sexual Dominance and Submission in the Movies

Author:   Richard Bruce Grassby
Publisher:   Createspace Independent Publishing Platform
ISBN:  

9781530863006


Pages:   564
Publication Date:   05 April 2016
Format:   Paperback
Availability:   Available To Order   Availability explained
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Deviant Cinema: A history of Sexual Dominance and Submission in the Movies


Overview

The public spankings of Kathryn Grayson in Kiss me Kate or of Maureen O'Hara in McLintock are iconic, but the emotions and conflicts that they address are common preoccupations and recur continuously as themes in the global cinema. Buried in the vast inventory of movies released over the last century are almost 2,500 that partly or fully portray sexual dominance and submission of both genders, mental and physical, heavy and light, erotic as well as pornographic, documentary as well as fiction. Some are third-rate productions or crude attempts to exploit sex, but many do meet the fantasies and needs of a wide audience and they also occur as music videos, commercial advertisements, documentaries and game and talk shows on television. This impressive volume of movies from every country and period is largely unknown to the great majority of people, but most of the productions can be located and viewed with the help of this book.

Full Product Details

Author:   Richard Bruce Grassby
Publisher:   Createspace Independent Publishing Platform
Imprint:   Createspace Independent Publishing Platform
Dimensions:   Width: 21.60cm , Height: 2.90cm , Length: 27.90cm
Weight:   1.288kg
ISBN:  

9781530863006


ISBN 10:   1530863007
Pages:   564
Publication Date:   05 April 2016
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Author Information

After spending half his life teaching history in England at Oxford University, Richard Grassby left the ivory tower to explore the art and business world in the USA. In retirement he has drawn on his experiences to write about the economic and social history of early modern Britain, nineteenth century art history, capitalism and, most recently, sexuality in the twentieth century cinema.

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