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9781784533403

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''Hadler treats objects of popular culture without condescension, giving them the same thoughtful visual analysis, informed by a deep understanding of history, with which she presents avant-garde art. And she provides a model for interpreting iconoclasm that will be relevant both to art historians in her own field and far beyond it. I'm very grateful for this book.''</p>--Rachel Kousser, Professor of Greek and Roman Art and Archaeology, City University of New York, Graduate Center (03/03/2017)

''Hadler treats objects of popular culture without condescension, giving them the same thoughtful visual analysis, informed by a deep understanding of history, with which she presents avant-garde art. And she provides a model for interpreting iconoclasm that will be relevant both to art historians in her own field and far beyond it. I'm very grateful for this book.''--Rachel Kousser, Professor of Greek and Roman Art and Archaeology, City University of New York, Graduate Center (03/03/2017)

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Mona Hadler is Professor of Art History at The Graduate Center, City University of New York (CUNY). She is also on the faculty at Brooklyn College. She has written widely on the art of Lee Bontecou and on the art of 1950s New York.

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