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Author:   Anca I. Lasc (Pratt Institute, USA) ,  Georgina Downey (University of Adelaide, Australia) ,  Mark Taylor (Swinburne University of Technology, Australia)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Academic
Edition:   NIP
Dimensions:   Width: 16.60cm , Height: 1.40cm , Length: 24.20cm
Weight:   0.480kg
ISBN:  

9781350013896

ISBN 10:   1350013897
Pages:   248
Publication Date:   26 January 2017
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

French Connections: The Modern Interior and Mass Media, Anca I. Lasc, Georgina Downey and Mark Taylor Section 1: Sex, Dreams and Desires: The Perversions of the Modern Interior 1. Impolite Reading and Erotic Interiors in Eighteenth-Century France, Georgina Downey and Mark Taylor, University of Adelaide and University of Newcastle, Australia 2. Intimate Vibrations: Inventing the Dream Bedroom,, Fae Brauer, University of East London, UK 3. Angels and Rebels: The Obsessions and Transgressions of the Modern Interior, Anca I. Lasc, Pratt Institute, USA 4. Machines and Monsters: The Modern Decadent Interior as Spectacle in Huysmans' À Rebours, Emilie Sitzia, Maastricht University, Netherlands 5. La Maison Suspendue: Imaginary Solutions for an Everyday Domestic Machine, Peter Olshavsky, University of Nebraska-Lincoln, USA Section 2: Aesthetics, Anxiety, and Identity: Reproducing a Decadent Domesticity 6. The Interiorization of Identity: Portrait Busts and the Politics of Selfhood in Pre- and Early Revolutionary France, Ronit Milano, Ben-Gurion University of the Negev , Israel 7. A Portable Keyhole into the Fictional Apartment Building: The Interiors of Félix Vallotton and Émile Zola, Karen Stock, Winthrop University, USA 8. The Fin-de-siècle Poster: A Healthy Modern Stimulus in the French Interior, Katherine Brion, University of Michigan, USA 9. Mode of a Modern Muse: Fashion and Interior in Édouard Vuillard's Paintings of Misia Natanson, Jess Berry, Griffith University, Australia 10. The Decadent Interior as Modern Lesbian Aesthetic, Elizabeth Melanson, University of Delaware, USA 11. Mallet-Stevens, Modern Design and French Cinema, Nieves Fernández Villalobos, Universidad de Valladolid, Spain Section 3: Intimacy, Longing and Performance: The Consumption and Display of the Celebrity Home 12. Staging Domesticity in La Revue Illustrée's Photo-Interviews: Belle Époque Celebrity Homes in the Periodical Press, Elizabeth Emery, Montclair State University, USA 13. Hôtel Baronne Salomon de Rothschild 1872-1878: The Imprint of a Legacy, Linda Stevenson and Susan Tate, University of Florida, USA 14. ‘Un Bel Atelier Moderne’: The Montparnasse Artist at Home, Louise Campbell, Warwick University, UK 15. Housing the New Dandy: Designing Lifestyle in Monsieur Magazine, 1920-1924, John Potvin, Concordia University, Canada 16. ‘Fashions in Living’: The Duke and Duchess of Windsor, 4, Route du Champs d’Entraînement, Paris, Peter McNeil, University of Technology Sydney, Australia 17. ‘Si ma cuisine m’était comptée’: Paris Match and the Salon des arts ménagers during the Fourth Republic, Guillaume De Syon, Albright College, USA Index

Reviews

Focusing on the French period from pre-revolutionary times through the late 20th century. 17 essays from 19 contributors are divided into three sections addressing the importance of various media and their shaping of residential interiors. It delves into the contributions of drawings, prints, pattern books, illustrated magazines, department catalogues, guidebooks and films in promoting French interior design to the rest of the world. A reasonable number of black-and-white photographs and rperints of posters, drawings and publications enhance the written word, but should not be the only reason for acquiring this tome. The primary audience appears to be not only students and professionals, but also anyone who has sought information about the influences of French interiors on residential design. Summing up: Recommended. All readership levels. * CHOICE * This engaging text draws the reader into a unique account of the interdisciplinary nature of the modern French interior. Immersing the reader in topics such asthe intricate histories of the French boudoir and transformations in public and private life, the text traces the history of the modern French home. * Rebecca Barnett, Griffith University, Australia * The scholars involved in this volume have located the study of the interior within the rich intellectual tradition that exists in the areas of French fine art, literature, film and cultural studies. In so doing it brings new approaches and ideas to the wider subject of the modern interior. * Penny Sparke, Kingston University, UK * This text offers a provocative examination of French interiors from the 18th to 20th century. The essays frequently decode primary French resources, making them accessible to a much wider audience. The use of mass media as a filter for analysis underscores the manner in which interiors were communicated, consumed, interpreted and valued. * John Turpin, High Point University, USA * This volume of essays, which presents the modern French interior as a space of intimacy, sexuality and identity, has an array of interional scholars who are pushing boundaries in many news and innovative ways. Exploring France as a 'fashion leader', they show importantly how the interior was displayed, mediated and staged. * Jeremy Aynsley, University of Brighton, UK *

Focusing on the French period from pre-revolutionary times through the late 20th century. 17 essays from 19 contributors are divided into three sections addressing the importance of various media and their shaping of residential interiors. It delves into the contributions of drawings, prints, pattern books, illustrated magazines, department catalogues, guidebooks and films in promoting French interior design to the rest of the world. A reasonable number of black-and-white photographs and rperints of posters, drawings and publications enhance the written word, but should not be the only reason for acquiring this tome. The primary audience appears to be not only students and professionals, but also anyone who has sought information about the influences of French interiors on residential design. Summing up: Recommended. All readership levels. CHOICE This engaging text draws the reader into a unique account of the interdisciplinary nature of the modern French interior. Immersing the reader in topics such asthe intricate histories of the French boudoir and transformations in public and private life, the text traces the history of the modern French home. Rebecca Barnett, Griffith University, Australia The scholars involved in this volume have located the study of the interior within the rich intellectual tradition that exists in the areas of French fine art, literature, film and cultural studies. In so doing it brings new approaches and ideas to the wider subject of the modern interior. Penny Sparke, Kingston University, UK This text offers a provocative examination of French interiors from the 18th to 20th century. The essays frequently decode primary French resources, making them accessible to a much wider audience. The use of mass media as a filter for analysis underscores the manner in which interiors were communicated, consumed, interpreted and valued. John Turpin, High Point University, USA This volume of essays, which presents the modern French interior as a space of intimacy, sexuality and identity, has an array of interional scholars who are pushing boundaries in many news and innovative ways. Exploring France as a 'fashion leader', they show importantly how the interior was displayed, mediated and staged. Jeremy Aynsley, University of Brighton, UK

Author Information

Anca I. Lasc is Assistant Professor of history and theory of design at Pratt Institute, New York City, USA. Georgina Downey is an independant scholar and Visiting Fellow in the graduate art history programme at the University of Adelaide, Australia. Mark Taylor is Professor of architecture at the University of Newcastle, Australia.

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