Overview

Full Product Details

9781526145918

Table of Contents

Reviews

'In this stunning and beautifully written book, Christian Suhr offers us unique insights into encounters between psychiatry and spirit possession in Islamic diasporic communities. Like the accompanying film, the book is caring and thought-provoking. This is a must-read (and must-see!) not only for students and scholars of Islam, and of psychiatry, but also for all who want to think seriously about how form can be put to work conceptually-how montage, for instance, can become a mode of analysis. ' Amira Mittermaier, University of Toronto 'This book and film plumb a boundary that counts above all others in Islam and arguably in every religion: the divide between the seen and unseen worlds. By focusing on jinn possession and exorcism, the author exposes the extent to which the alam al-ghayb, or unseen world, informs the mundane, day-to-day existence of Muslims within it. Christian Suhr is a remarkably gifted auteur and a highly self-reflexive critic of audiovisual media. What he has to say regarding the possibilities and limitations of this medium for Islamic studies is far reaching. This book and film matter. ' Simon O'Meara, SOAS University of London 'A powerful contribution to anthropological understandings of spirit possession and Islamic exorcism and a ground breaking work in the field of audio-visual anthropology. Exceptionally clear and well-written; a joy to read. In ethnographic approach as well as theoretical radicalism this book is second to none in contemporary visual anthropology.' Michaela Schauble, University of Bern 'It seems to rain a great deal in Denmark. With the rain, angels descend to feed plants, bless homes, wash the city, and generally watch over its residents. Christian Suhr's ethnographic film, Descending with angels, considers what comes down with the rain, as Suhr maneuvers between and through Islamic healing practices and the Danish psychiatric system. The film accomplishes something unique in participatory sequences in which Suhr and the doctors, shaykhs, Muslim patients, and Muslim youth attempt to make sense of what they are seeing, from footage Suhr has shot to online Islamic exorcism videos. Descending with angels provides a complex picture of Muslim life in Denmark, from the diversity of Muslim immigrant communities to the transcultural spaces between medicine, religion, social services, and community. It dives into and evokes the liminal and transgressive, avoiding totalizing narratives and burdens of information while also getting at what it means to believe, whether in magic or Western medicine. The film offers a productive point for pedagogical departure for classes concerned with Islam and Islamic healing, immigration, consciousness and mental illness, religion and science, public health, ethnographic ethics and reflexivity, and visual anthropology.' Maryam Kashani, University of Illinois, American Anthropologist, June 2018 'This monograph and film constitute a challenging, thought-provoking, and insightful piece of scholarship that reflects an unusually deep engagement with a difficult field of research. With a strong sense of purpose, and respect for his subject and collaborators, Suhr has produced an impressively rich ethnography, often of a highly intimate nature. The core questions have to do with the nature (and the effectiveness) of neo-orthodox Islamic healing and Danish psychiatry, but also with the possibility of intercultural cohabitation: the urgent questions of today's Denmark, Europe, and the ghettoized and globalized world in which we live.' Laura U. Marks, Simon Fraser University 'Descending with angels delivers a compelling exegesis of the way that faith is integrated into secular society through the particular lens of psychiatric illness and spirit possession. Both elements of this work make a huge contribution to medical anthropology and Islamic studies. Suhr's reflections on methodology contribute significantly to the development of film as a research method as well as a means for broadening scholarly expression. The accessibility of this work will be appealing to students and scholars as well as to professionals involved in the treatment of mental disorders.' Andy Lawrence, University of Manchester 'Christian Suhr's film monograph Descending with Angels is a remarkable contribution to medical anthropology studies of mental health and ritual healing... Descending with Angels will be a highly relevant and most engaging read (and watch) to medical anthropologists, visual anthropologists, and those working on possession rituals.' Entanglement, Paola Esposito 'The volume (book & documentary) is a multifaceted anthropological endeavor and can be read and reread from various angles. Suhr is a masterful author... His book has all the qualities of an excellent ethnography. It is an outstanding piece of a good contemporary anthropolog ical work.' Entanglement, Maria Vivod 'Christian Suhr's Descending with Angels eloquently probes the dividing lines between the sacred and the medical by comparing the Islamic practice of ruqya with psychiatric care.' Entanglement, Juliet Davies-Horn 'Overall, this book is a very timely contribution both to the practice and problems of contemporary cross-cultural mental health treatment, and to our understandings of Islamic possession and exorcism healing rituals. With the help of the accompanying film, a 'real picture' of jinn possession treatment is articulated alongside the problematic presentation of Western psychiatric practices. As such, this is a very important and insightful contribution that also leaves many questions unanswered. This well-researched monograph and accompanying film are useful for medical and social anthropologists, psychologists and religious studies scholars interested in the variegated approaches to mental health issues in Western psychiatry and Islamic healing.' Journal of the Royal Anthropological Institute -- .

In this stunning and beautifully written book, Christian Suhr offers us unique insights into encounters between psychiatry and spirit possession in Islamic diasporic communities. Like the accompanying film, the book is caring and thought-provoking. This is a must-read (and must-see!) not only for students and scholars of Islam, and of psychiatry, but also for all who want to think seriously about how form can be put to work conceptually-how montage, for instance, can become a mode of analysis. AMIRA MITTERMAIER, University of Toronto This book and film plumb a boundary that counts above all others in Islam and arguably in every religion: the divide between the seen and unseen worlds. By focusing on jinn possession and exorcism, the author exposes the extent to which the ?alam al-ghayb, or unseen world, informs the mundane, day-to-day existence of Muslims within it. Christian Suhr is a remarkably gifted auteur and a highly self-reflexive critic of audiovisual media. What he has to say regarding the possibilities and limitations of this medium for Islamic studies is far reaching. This book and film matter. SIMON O'MEARA, SOAS University of London A powerful contribution to anthropological understandings of spirit possession and Islamic exorcism and a groundbreaking work in the field of audiovisual anthropology. Exceptionally clear and well-written; a joy to read. In ethnographic approach as well as theoretical radicalism this book is second to none in contemporary visual anthropology. MICHAELA SCHAEUBLE, University of Bern This monograph and film constitute a challenging, thought-provoking, and insightful piece of scholarship that reflects an unusually deep engagement with a difficult field of research. With a strong sense of purpose, and respect for his subject and collaborators, Suhr has produced an impressively rich ethnography, often of a highly intimate nature. The core questions have to do with the nature (and the effectiveness) of neo-orthodox Islamic healing and Danish psychiatry, but also with the possibility of intercultural cohabitation: the urgent questions of today's Denmark, Europe, and the ghettoized and globalized world in which we live. LAURA U. MARKS, Simon Fraser University Descending with angels delivers a compelling exegesis of the way that faith is integrated into secular society through the particular lens of psychiatric illness and spirit possession. Both elements of this work make a huge contribution to medical anthropology and Islamic studies. Suhr's reflections on methodology contribute significantly to the development of film as a research method as well as a means for broadening scholarly expression. The accessibility of this work will be appealing to students and scholars as well as to professionals involved in the treatment of mental disorders. ANDY LAWRENCE, University of Manchester It seems to rain a great deal in Denmark. With the rain, angels descend to feed plants, bless homes, wash the city, and generally watch over its residents. Christian Suhr's ethnographic film, Descending with angels, considers what comes down with the rain, as Suhr maneuvers between and through Islamic healing practices and the Danish psychiatric system. The film accomplishes something unique in participatory sequences in which Suhr and the doctors, shaykhs, Muslim patients, and Muslim youth attempt to make sense of what they are seeing, from footage Suhr has shot to online Islamic exorcism videos. Descending with angels provides a complex picture of Muslim life in Denmark, from the diversity of Muslim immigrant communities to the transcultural spaces between medicine, religion, social services, and community. It dives into and evokes the liminal and transgressive, avoiding totalizing narratives and burdens of information while also getting at what it means to believe, whether in magic or Western medicine. The film offers a productive point for pedagogical departure for classes concerned with Islam and Islamic healing, immigration, consciousness and mental illness, religion and science, public health, ethnographic ethics and reflexivity, and visual anthropology. MARYAM KASHANI, American Anthropologist, June 2018 -- .

'In this stunning and beautifully written book, Christian Suhr offers us unique insights into encounters between psychiatry and spirit possession in Islamic diasporic communities. Like the accompanying film, the book is caring and thought-provoking. This is a must-read (and must-see!) not only for students and scholars of Islam, and of psychiatry, but also for all who want to think seriously about how form can be put to work conceptually-how montage, for instance, can become a mode of analysis. ' AMIRA MITTERMAIER, University of Toronto 'This book and film plumb a boundary that counts above all others in Islam and arguably in every religion: the divide between the seen and unseen worlds. By focusing on jinn possession and exorcism, the author exposes the extent to which the 'alam al-ghayb, or unseen world, informs the mundane, day-to-day existence of Muslims within it. Christian Suhr is a remarkably gifted auteur and a highly self-reflexive critic of audiovisual media. What he has to say regarding the possibilities and limitations of this medium for Islamic studies is far reaching. This book and film matter. ' SIMON O'MEARA, SOAS University of London 'A powerful contribution to anthropological understandings of spirit possession and Islamic exorcism and a ground breaking work in the field of audio-visual anthropology. Exceptionally clear and well-written; a joy to read. In ethnographic approach as well as theoretical radicalism this book is second to none in contemporary visual anthropology.' MICHAELA SCHAEUBLE, University of Bern 'It seems to rain a great deal in Denmark. With the rain, angels descend to feed plants, bless homes, wash the city, and generally watch over its residents. Christian Suhr's ethnographic film, Descending with angels, considers what comes down with the rain, as Suhr maneuvers between and through Islamic healing practices and the Danish psychiatric system. The film accomplishes something unique in participatory sequences in which Suhr and the doctors, shaykhs, Muslim patients, and Muslim youth attempt to make sense of what they are seeing, from footage Suhr has shot to online Islamic exorcism videos. Descending with angels provides a complex picture of Muslim life in Denmark, from the diversity of Muslim immigrant communities to the transcultural spaces between medicine, religion, social services, and community. It dives into and evokes the liminal and transgressive, avoiding totalizing narratives and burdens of information while also getting at what it means to believe, whether in magic or Western medicine. The film offers a productive point for pedagogical departure for classes concerned with Islam and Islamic healing, immigration, consciousness and mental illness, religion and science, public health, ethnographic ethics and reflexivity, and visual anthropology.' MARYAM KASHANI, University of Illinois, American Anthropologist, June 2018 -- .

Author Information

Christian Suhr is a filmmaker, Associate Professor and the Coordinator of the Eye & Mind MSc Programme in Visual Anthropology at Aarhus University

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available