Overview

An anthology of poetry on Nikkei incarceration, written by descendants of the WWII prisons and camps explores intergenerational trauma as the contributors, all of whom are descendants of those who were incarcerated, sift through an intimate record of wartime incarceration. Contributors to this anthology include poets of Japanese American, Japanese Canadian, Okinawan American, Okinawan Canadian, Japanese Hawaiian, Alaska Native, mixed race Nikkei, and Japanese descent. Their poems reimagine, reinhabit, and retell the story of incarceration while embodying its many legacies, through a diversity of modes and themes, creating a panoramic portrait of anti-Asian racism, assimilation, loyalty, resistance, and redemption. The anthology illuminates individual perspectives and reveals collective experience. It insists upon the imperative of poetry in the processes of solidarity and transgenerational healing. With contributions from: Kiik Araki-Kawaguchi, Brittany Arita, Aaron Caycedo-Kimura, Brian Komei Dempster, Miya Folick, Sesshu Foster, Sharon Fujimoto-Johnson, Steve Fujimura, Laura K. Fukumoto, Cathlin Goulding, Rebecca A. Green, Richard Hamasaki, Sharon Hashimoto, Casey Hidekawa Lane/Levinski, Garrett Hongo, Jodi Hottel, Kurt Yokoyama Ikeda, Kevin Irie, Michael Ishii, Erica H. Isomura, Lauren Emiko Ito, Susan Kiyo Ito, Miya Iwataki, Dr. Claire Kageyama-Ramakrishnan, W. Todd Kaneko, Traci Kato-Kiriyama, Amanda Mei Kim, Christine Kitano, Aisuke Kondo, Garrett Kurai, Keiko Lane, Katherine Terumi Laubscher, Alison Lubar, Mia Ayumi Malhotra, Angela Marian May, Ali Meyers-Ohki, Emily Mitamura, Hikari Leilani Miya, Starr Sumie Miyata, James Fujinami Moore, Paulette ""Tkl Un Yeik"" Moreno, David Mura, Heather Nagami, Noriko Nakada, Greer Nakadegawa-Lee, Carolyn Nakagawa, Yukiko Nakagura (translator), Ryan Hitoshi Nakano, Tamiko Nimura, Mona Oikawa, Troy Osaki, Michael Prior, Brynn Saito, Brandon Shimoda, Patrick Shiroishi, Leanne Toshiko Simpson, Dana Swensen, Kenneth Tanemura, Micah Tasaka, George Uba, Amy Uyematsu, Terry Watada, Anne Watanabe, Syd Westley, Sho Yamagushiku, Doug Yamamoto, Traise Yamamoto. Cover art by Rob Sato.

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Reviews

"Praise for Hydra Medusa by Brandon Shimoda ""The essays, poems and talks in Hydra Medusa testify to the heroic dream-work of literary resistance in its many forms."" --Srikanth Reddy, The Washington Post ""Shimoda's book is a tour de force... a sometimes melancholic, sometimes incantatory meditation on the evil that people can do."" --Gregory McNamee, 2024 Southwest Books of the Year ""Brandon Shimoda is a mystic poet. Hydra Medusa is an otherworldly book."" --Sean McCoy, The Brooklyn Rail Praise for Under a Future Sky by Brynn Saito ""Brynn Saito writes with a rare, inimitable grace in her most personal and politically engaged book to date. I feel more alive after these poems..."" --Lee Herrick, author of Scar and Flower ""Lyrically lush and deeply wise, this book is both an intimate portrait and a summoning, a chance to hunt memory and recover history, still burning, still stone."" --Traci Brimhall, author of Come the Slumberless to the Land of Nod"

Author Information

Brynn Saito is the author of Under a Future Sky(2023), Power Made Us Swoon (2016) and The Palace of Contemplating Departure (2013), winner of the Benjamin Saltman Poetry Award and a finalist for the Northern California Book Award. She has received grant support from Densho, Hedgebrook, and the Santa Fe Art Institute. Her poems have appeared in The New York Times and American Poetry Review and she was a finalist for the Paterson Poetry Prize and the Milt Kessler Poetry Book Award. Brynn lives in the traditional homelands of the Yokuts and Mono peoples (also known as Fresno, CA), where she teaches in the MFA program at California State University, Fresno. Brandon Shimoda is the author of nine books of poetry and prose, including Hydra Medusa (Nightboat Books, 2023), The Grave on the Wall (City Lights, 2019), which received the PEN Open Book Award, and Evening Oracle (Letter Machine Editions, 2015), which received the William Carlos Williams Award from the Poetry Society of America. His next book is on the afterlife of Japanese American incarceration, and is forthcoming from City Lights in 2024. His writing has been published in BOMB, Brick, Harper's, The Nation, The New York Times, and Poetry, among other venues.

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