Demon Possession and Sexual Violence in Post-Great Recession American Horror Cinema

Author:   Máiréad Casey
Publisher:   University of Wales Press
ISBN:  

9781837723577


Pages:   272
Publication Date:   15 February 2026
Format:   Hardback
Availability:   Not yet available   Availability explained
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Demon Possession and Sexual Violence in Post-Great Recession American Horror Cinema


Overview

This volume examines American horror films as key sites for exploring contemporary anxieties around gender, power and trauma. In this groundbreaking study, the author traces the resurgence of demon-possession narratives in US cinema following the 2008 financial crisis a period marked by intensified misogyny, the rise of fourth-wave feminism, and shifting representations of sexual violence. Through incisive analysis of films such as Deliver Us from Evil (2014), The Neon Demon (2016) and The Scary of Sixty-First (2021), this study explores how the possessed body, particularly the possessed female body, emerges as a battleground for cultural fears about sexuality, violence and agency. Demon Possession demonstrates how demon-possession films reflect, reproduce and sometimes challenge dominant narratives about sexual violence and victimhood. Reframing possession as more than merely a horror trope, this book offers a vital lens for understanding gender and sexual politics in an age of economic precarity and social reckoning.

Full Product Details

Author:   Máiréad Casey
Publisher:   University of Wales Press
Imprint:   University of Wales Press
ISBN:  

9781837723577


ISBN 10:   1837723575
Pages:   272
Publication Date:   15 February 2026
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

Acknowledgements Introduction Chapter 1. ‘Devil Woman’: Demon-Possession and Popular Misogyny in Post-Recession American Cinema Chapter 2. ‘Street Angel, House Devil’: Male Possession Narratives and Gender-Based Violence Chapter 3. Possessed Professions: Demon Possession, Creative Labour and the #MeToo Movement Chapter 4. Believing Women? Female-Authorship and Demon-Possession Film Conclusion: Raising Consciousness by Raising Hell Notes Select Bibliography

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Author Information

Máiréad Casey is a lecturer in film and television studies with the School of English, Media, and Creative Arts at the University of Galway.

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