Overview

Why does Gilles Deleuze write about the cinema to address specific philosophical problems? Deleuze turns to the cinema precisely because its formal resources enable it to 'think' the relation between movement and duration in ways that philosophy cannot. Allan James Thomas unpacks the nature of the philosophical problems that Deleuze turns to the cinema to resolve and shows how resources of the cinema enable him to do so where philosophy alone cannot. He offers new insights into the conceptual underpinnings both of the Cinema books themselves and of the trajectory of Deleuzian philosophy.

Full Product Details

Author:   Allan James Thomas (Lecturer in the School of Media and Communication, RMIT University)
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
Weight:   0.261kg
ISBN:  

9781474432801

ISBN 10:   1474432808
Pages:   280
Publication Date:   07 August 2019
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgements * CH 1 Introduction: The Problem of Cinema * A 1.1 Transcendental Empiricism and the ‘Cahiers Axiom’ * A 1.2 The Monotony of Difference * Notes to Chapter 1 * CH 2. The Interval as Disaster * A 2.1 Terminus, or, Waiting for a Train * A 2.2 (Film) History as Montage * A 2.3 Cinema as an Anterior History of Violence * Notes to Chapter 2 * CH 3. Movement, Duration and Difference * A 3.1 The Three Theses on Movement * A 3.2 The Temporalisation of Difference * A 3.3 How to Escape the Dialectic * Notes to Chapter 3 * CH 4. What Use is Cinema to Deleuze? * A 4.1 The Necessary Illusions of Practical Life * A 4.2 A Materialist Practice of Metaphysics * A 4.3 Transcendental Empiricism as Cinematic Philosophy * Notes to Chapter 4 * CH 5. Genesis and Deduction * A 5.1 Cinematic Being * A 5.2 Weak Reasoning, Perversity and Grasping at Threads * A 5.3 From ‘Primitive’ Cinema to Real Movement * Notes to Chapter 5 * CH 6. The Thought of the World * A 6.1 Cinematic Aberration and the ‘Great Kantian Reversal’ * A 6.2 The Classical Cinema as Totalisation * A 6.3 Cinema as ‘Art of the Masses’ * Notes to Chapter 6 * CH 7. The Night, the Rain * A 7.1 Film, Death (the ‘Reverse Proof’) * A 7.2 The Suspension of the World * A 7.3 ‘The Image, the Remains’ * Notes to Chapter 7 * CH 8. Conclusion: The Crystal-Image of Philosophy * Notes to Chapter 8 * MH List of Works Cited *

Reviews

The book is compelling and lucid and it will interest students and scholars of film theory as well as those studying Continental philosophy or Deleuze in general. Summing Up: Recommended. Upper-division undergraduates through faculty.--D. W Rothermel, California State University, Chico Choice

"The book is compelling and lucid and it will interest students and scholars of film theory as well as those studying Continental philosophy or Deleuze in general. Summing Up: Recommended. Upper-division undergraduates through faculty.--D. W Rothermel, California State University, Chico ""Choice"""

Author Information

Allan James Thomas is Lecturer in the School of Media and Communication at RMIT University.

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