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Author:   Stephen Zepke ,  Simon O'Sullivan
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
Dimensions:   Width: 15.60cm , Height: 1.80cm , Length: 23.40cm
Weight:   0.582kg
ISBN:  

9780748638383

ISBN 10:   0748638385
Pages:   336
Publication Date:   27 May 2010
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

Acknowledgements; List of Illustrations; Deleuze and Guattari and Contemporary Art: An Introduction, Simon O'Sullivan and Stephen Zepke; I - Politics; 1. The Politics of the Scream in a Threnody, Gustavo Chirolla Ospina; 2. A Shift Towards the Unnameable, Suely Rolnik; 3. The Heterogenesis of Fleeing, Gerald Raunig; 4. Anita Fricek: Contemporary Painting as Institutional Critique, Stephen Zepke; II - The Aesthetic Paradigm; 5. Capitalism and Schizophrenia and Consensus. Of Relational Aesthetics, Eric Alliez; 6. The Practice and Anti-dialectical Thought of an 'Anartist', Maurizio Lazzarato; 7. Ethologies of Software Art: What Can a Digital Body of Code Do?, Jussi Parikka, 8. Fractal Philosophy (and the small matter of learning how to listen): Attunement as the Task of Art, Johnny Golding; III - Scenes and Encounters; 9. An Art Scene as Big as the Ritz: the Logic of Scenes, David Burrows; 10. Abstract Humour, Humorous Abstraction, Robert Garnett; 11. From Aesthetics to the Abstract Machine: Deleuze, Guattari, and Contemporary Art Practice, Simon O'Sullivan; 12. Traps Against Capture, Edgar Schmitz; IV - Technologies; 13. Sign and Information: on Anestis Logothetis' Graphical Notations, Claudia Mongini; 14. Anti-Electra: Totemism and Schizogamy, Elisabeth von Samsonow; 15. Unimaginable Happenings: Material Movements in the Plane of Composition, Barbara Bolt; 16. BLOODCRYSTALPOLLENSTAR, Neil Chapman and Ola Stahl; Notes on Contributors; Index.

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Author Information

Stephen Zepke is an independent researcher living in Vienna. He has published numerous essays on philosophy, art and cinema, the book Art as Abstract Machine, Ontology and Aesthetics in Deleuze and Guattari (Routledge, 2005), and is co-editor (with Simon O'Sullivan) of Deleuze, Guattari and the Production of the New (Continuum, 2008). Simon O'Sullivan is a lecturer in the Department of Visual Cultures at Goldsmiths, University of London. He is the author of Art Encounters Deleuze and Guattari: Thought Beyond Representation (Palgrave, 2005) and co-editor (with Simon O'Sullivan) of Deleuze, Guattari and the Production of the New (Continuum, 2008).

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