Overview
"Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna offers a nuanced look at the intersection of music, cultural identity, and political ideology in late-nineteenth-century Vienna. Drawing on an extensive selection of writings in the city's political press, correspondence, archival documents, and a large body of recent scholarship in late Habsburg cultural and political history, author David Brodbeck argues that Vienna's music critics were important agents in the public sphere whose writings gave voice to distinct, sometimes competing ideological positions. These conflicting positions are exemplified especially well in their critical writings about the music of three notable composers of the day who were Austrian citizens but not ethnic Germans: Carl Goldmark, a Jew from German West Hungary, and the Czechs Bed?ich Smetana and Antonin Dvo?ak. Often at stake in the critical discourse was the question of who and what could be deemed ""German"" in the multinational Austrian state. For critics such as Eduard Hanslick and Ludwig Speidel, traditional German liberals who came of age in the years around 1848, ""Germanness"" was an attribute that could be earned by any ambitious bourgeois-including Jews and those of non-German nationality-by embracing German cultural values. The more nationally inflected liberalism evident in the writings of Theodor Helm, with its particularist rhetoric of German national property in a time of Czech gains at German expense, was typical of those in the next generation, educated during the 1860s. The radical student politics of the 1880s, with its embrace of racialist antisemitism and irredentist German nationalism, just as surely shaped the discourse of certain young Wagnerian critics who emerged at the end of the century. This body of music-critical writing reveals a continuum of exclusivity, from a conception of Germanness rooted in social class and cultural elitism to one based in blood. Brodbeck neatly counters decades of musicological scholarship and offers a unique insight into the diverse ways in which educated German Austrians conceived of Germanness in music and understood their relationship to their non-German fellow citizens. Defining Deutschtum is sure to be an essential text for scholars of music history, cultural studies, and late 19th century Central European culture and society."
Full Product Details
Author: David Brodbeck (Professor (Musicology) and the Robert and Marjorie Rawlins Chair of Music, Professor (Musicology) and the Robert and Marjorie Rawlins Chair of Music, University of California, Irvine)
Publisher: Oxford University Press Inc
Imprint: Oxford University Press Inc
Dimensions:
Width: 16.50cm
, Height: 3.00cm
, Length: 24.10cm
Weight: 0.648kg
ISBN: 9780199362707
ISBN 10: 019936270
Pages: 392
Publication Date: 06 November 2014
Audience:
College/higher education
,
Undergraduate
,
Postgraduate, Research & Scholarly
Format: Hardback
Publisher's Status: Active
Availability: To order
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.
Reviews
Throughout the convoluted twists and turns of this story, Brodbeck is always a clear and patient guide. The sheer density of detail might easily have become bewildering, but what emerges is a remarkably clear and finely drawn account. This is an impressive work of scholarship that reconstructs not only a musical but also a cultural and political history ... Brodbeck's analysis of how political tensions find an ideal areana in seemingly trivial disputes is both powerful and timely. Julian Johnson, The Times Literary Supplement
"""Brodbeck pulls together recent research in areas outside musicology to address fin-de-siècle (approximately 1860-1910) problems of politics and music in the mid-European lands. [His] documentation of the merging of political ideology and music has lessons for all readers. Highly recommended."" --Choice ""Brodbeck offers here a fascinating, engaging, and well-written study of a complex topic, drawing on a large number of sources without ever losing the focus of his attention. This book will enlarge the horizon of any reader engaged in questions of cultural identity in the second half of the ninteenth century.""--Notes"
Brodbeck pulls together recent research in areas outside musicology to address fin-de-siecle (approximately 1860-1910) problems of politics and music in the mid-European lands. [His] documentation of the merging of political ideology and music has lessons for all readers. Highly recommended. --Choice Brodbeck offers here a fascinating, engaging, and well-written study of a complex topic, drawing on a large number of sources without ever losing the focus of his attention. This book will enlarge the horizon of any reader engaged in questions of cultural identity in the second half of the ninteenth century. --Notes
Author Information
"David Brodbeck is Professor of Music at the University of California, Irvine. He has published widely on nineteenth-century topics ranging from the dances of Schubert and the sacred vocal music of Mendelssohn to various aspects of Brahms's music and the musical culture of Liberal Vienna. His article ""Hanslick's Smetana and Hanslick's Prague"" won the 2010 H. Colin Slim Award of the American Musicological Society."
