Decadence and Orientalism in England and Germany, 1880-1920: 'The Indispensable East'

Author:   Katharina Herold-Zanker (Assistant Professor, Department of English Studies, Assistant Professor, Department of English Studies, Durham University)
Publisher:   Oxford University Press
ISBN:  

9780198880974


Pages:   304
Publication Date:   20 May 2024
Format:   Hardback
Availability:   To order   Availability explained
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Decadence and Orientalism in England and Germany, 1880-1920: 'The Indispensable East'


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Decadence and Orientalism in England and Germany, 1880-1920 examines the Orientalist portrayal of Middle Eastern cultures in Decadent Literatures in England and Germany at the turn of the century. This book argues that the role of Orientalism in literary Decadence uniquely exposes its paradoxical engagement with other cultures. In bringing together two fin-de-siècle European literatures, this comparative study makes a case for the transnational, if not imperial, nature of Decadence. The East emerges as an 'indispensable' mediator between various versions of European Decadence. The book examines the role of the East with specific reference to selected English and German authors: starting from Oscar Wilde's Victorian vision of Egypt and Arthur Symons's and Violet Fane's image of Constantinople, it moves to Paul Scheerbart's and Else Lasker-Schüler's Decadent Babylon and Assyria and concludes by turning to Stefan George's exclusion of the East from his poetic practice. The geographical reach of the East focuses on regions of the Eastern Mediterranean and Northern Africa. The cultural translation of specifically the Middle East into different European national contexts gains new--sometimes oppositional--meanings, avoiding a one-sided representation of both the East and the two national literatures that absorbed it. In arguing for a Decadent cosmopolitanism as a model of heterogeneous inclusivity that reaches beyond the binaries established by Edward Said's Orientalism, the present book brings twenty-first century theories of cosmopolitanism into dialogue with art history and literature to uncover striking synergies and interdependences between the different manifestations of Decadence in England and Germany.

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Author:   Katharina Herold-Zanker (Assistant Professor, Department of English Studies, Assistant Professor, Department of English Studies, Durham University)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 14.50cm , Height: 2.20cm , Length: 22.00cm
Weight:   0.508kg
ISBN:  

9780198880974


ISBN 10:   0198880979
Pages:   304
Publication Date:   20 May 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

List of Figures List of Abbreviations Note on Translations Introduction. Perfect and Poisonous Dependencies: Orientalism and Decadence 1: ‘Away to Egypt’: Oscar Wilde and Orientalist Objectification 2: ‘Against Civilisation’: Arthur Symons and Violet Fane’s Fictions of Constantinople 3: ‘Feeling Oriental’: Embodied Orients in Decadent Writing by Paul Scheerbart and Else Lasker-Schüler 4: ‘Ex septentrione lux’: Stefan George’s Cosmopolitan Empire and Aesthetic Fascism Conclusion: ‘The Indispensable East’ Bibliography Index

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Author Information

Katharina Herold-Zanker is an Assistant Professor in Literature and Drama at Durham University. Her principal interests are in late-Victorian literature, Comparative Literature and twenty-first century drama. Her journal publications include an article on intermediality in the Decadent performance of Anita Berber and an article for iFeminist Modernist Studies on war plays written by Mina Loy, Vernon Lee and Else Lasker-Schüler. After finishing her doctorate at Oxford, she was employed at the University of Regensburg, Germany, where she started research on her current project investigating the impact of feminist literary theories on contemporary Anglophone drama.

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